{"id":527,"date":"2025-09-08T15:22:01","date_gmt":"2025-09-08T19:22:01","guid":{"rendered":"https:\/\/pressbooks.library.torontomu.ca\/advancingculturalaccessibilitypractices\/?post_type=chapter&#038;p=527"},"modified":"2025-09-08T15:33:35","modified_gmt":"2025-09-08T19:33:35","slug":"module-two","status":"publish","type":"chapter","link":"https:\/\/pressbooks.library.torontomu.ca\/advancingculturalaccessibilitypractices\/chapter\/module-two\/","title":{"raw":"Module Two","rendered":"Module Two"},"content":{"raw":"<h1>Materials to focus on<\/h1>\r\n<ul>\r\n \t<li style=\"font-weight: 400\">Crip Lineages, Crip Futures: A conversation by Stacey Park Milbern and Leah Lakshmi Piepzna-Samarsinha in Crip Genealogies:<a href=\"https:\/\/library.oapen.org\/viewer\/web\/viewer.html?file=\/bitstream\/handle\/20.500.12657\/63465\/Chen_9781478093725_txt.pdf?sequence=5&amp;isAllowed=y\"> https:\/\/library.oapen.org\/handle\/20.500.12657\/63465<\/a><\/li>\r\n \t<li style=\"font-weight: 400\">Milbern, S. (2019)Notes on Access-washing: <a href=\"https:\/\/www.djno.ca\/post\/notes-on-access-washing\">https:\/\/www.djno.ca\/post\/notes-on-access-washing<\/a><\/li>\r\n \t<li style=\"font-weight: 400\">Sins Invaid on Crip Wisdom:<a href=\"https:\/\/disabilityvisibilityproject.com\/2016\/10\/10\/crip-wisdom-interview-with-the-artists-of-sins-invalid\/\"> https:\/\/disabilityvisibilityproject.com\/2016\/10\/10\/crip-wisdom-interview-with-the-artists-of-sins-invalid\/<\/a><\/li>\r\n \t<li style=\"font-weight: 400\">Hamraie, A. (2017). Introduction: Critical Access Studies. Building access\u202f: universal design and the politics of disability. University of Minnesota Press. <a href=\"https:\/\/ebookcentral.proquest.com\/lib\/torontomu\/detail.action?docID=5087795\">https:\/\/ebookcentral.proquest.com\/lib\/torontomu\/detail.action?docID=5087795<\/a><\/li>\r\n<\/ul>\r\n<h1>Other material<\/h1>\r\n<ul>\r\n \t<li style=\"font-weight: 400\">Ismatu Gwendolyn (2024) the role of the artist is to load the gun. <a href=\"https:\/\/www.threadings.io\/the-role-of-the-artist-is-to-load\/\">https:\/\/www.threadings.io\/the-role-of-the-artist-is-to-load\/<\/a>\r\n<ul>\r\n \t<li style=\"font-weight: 400\">And its video lecture follow-up: The War is Not a Metaphor (2025)\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=QZTa9cqDVHM\">https:\/\/www.youtube.com\/watch?v=QZTa9cqDVHM<\/a><\/li>\r\n<\/ul>\r\n<\/li>\r\n \t<li style=\"font-weight: 400\">Mia Mingus (2017) Access Intimacy:<a href=\"https:\/\/leavingevidence.wordpress.com\/2017\/04\/12\/access-intimacy-interdependence-and-disability-justice\/\"> https:\/\/leavingevidence.wordpress.com\/2017\/04\/12\/access-intimacy-interdependence-and-disability-justice\/<\/a><\/li>\r\n \t<li style=\"font-weight: 400\">Elwood Jimmy (2020) Aces(sens)ibility:<a href=\"https:\/\/www.artseverywhere.ca\/translation\/\"> https:\/\/www.artseverywhere.ca\/translation\/<\/a><\/li>\r\n \t<li style=\"font-weight: 400\">Carmen Papalia: <a href=\"https:\/\/www.youtube.com\/watch?v=LG22hxLJ36Y\">https:\/\/www.youtube.com\/watch?v=LG22hxLJ36Y<\/a><\/li>\r\n<\/ul>","rendered":"<h1>Materials to focus on<\/h1>\n<ul>\n<li style=\"font-weight: 400\">Crip Lineages, Crip Futures: A conversation by Stacey Park Milbern and Leah Lakshmi Piepzna-Samarsinha in Crip Genealogies:<a href=\"https:\/\/library.oapen.org\/viewer\/web\/viewer.html?file=\/bitstream\/handle\/20.500.12657\/63465\/Chen_9781478093725_txt.pdf?sequence=5&amp;isAllowed=y\"> https:\/\/library.oapen.org\/handle\/20.500.12657\/63465<\/a><\/li>\n<li style=\"font-weight: 400\">Milbern, S. (2019)Notes on Access-washing: <a href=\"https:\/\/www.djno.ca\/post\/notes-on-access-washing\">https:\/\/www.djno.ca\/post\/notes-on-access-washing<\/a><\/li>\n<li style=\"font-weight: 400\">Sins Invaid on Crip Wisdom:<a href=\"https:\/\/disabilityvisibilityproject.com\/2016\/10\/10\/crip-wisdom-interview-with-the-artists-of-sins-invalid\/\"> https:\/\/disabilityvisibilityproject.com\/2016\/10\/10\/crip-wisdom-interview-with-the-artists-of-sins-invalid\/<\/a><\/li>\n<li style=\"font-weight: 400\">Hamraie, A. (2017). Introduction: Critical Access Studies. Building access\u202f: universal design and the politics of disability. University of Minnesota Press. <a href=\"https:\/\/ebookcentral.proquest.com\/lib\/torontomu\/detail.action?docID=5087795\">https:\/\/ebookcentral.proquest.com\/lib\/torontomu\/detail.action?docID=5087795<\/a><\/li>\n<\/ul>\n<h1>Other material<\/h1>\n<ul>\n<li style=\"font-weight: 400\">Ismatu Gwendolyn (2024) the role of the artist is to load the gun. <a href=\"https:\/\/www.threadings.io\/the-role-of-the-artist-is-to-load\/\">https:\/\/www.threadings.io\/the-role-of-the-artist-is-to-load\/<\/a>\n<ul>\n<li style=\"font-weight: 400\">And its video lecture follow-up: The War is Not a Metaphor (2025)\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=QZTa9cqDVHM\">https:\/\/www.youtube.com\/watch?v=QZTa9cqDVHM<\/a><\/li>\n<\/ul>\n<\/li>\n<li style=\"font-weight: 400\">Mia Mingus (2017) Access Intimacy:<a href=\"https:\/\/leavingevidence.wordpress.com\/2017\/04\/12\/access-intimacy-interdependence-and-disability-justice\/\"> https:\/\/leavingevidence.wordpress.com\/2017\/04\/12\/access-intimacy-interdependence-and-disability-justice\/<\/a><\/li>\n<li style=\"font-weight: 400\">Elwood Jimmy (2020) Aces(sens)ibility:<a href=\"https:\/\/www.artseverywhere.ca\/translation\/\"> https:\/\/www.artseverywhere.ca\/translation\/<\/a><\/li>\n<li style=\"font-weight: 400\">Carmen Papalia: <a href=\"https:\/\/www.youtube.com\/watch?v=LG22hxLJ36Y\">https:\/\/www.youtube.com\/watch?v=LG22hxLJ36Y<\/a><\/li>\n<\/ul>\n","protected":false},"author":569,"menu_order":2,"template":"","meta":{"pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"chapter-type":[],"contributor":[],"license":[],"class_list":["post-527","chapter","type-chapter","status-publish","hentry"],"part":523,"_links":{"self":[{"href":"https:\/\/pressbooks.library.torontomu.ca\/advancingculturalaccessibilitypractices\/wp-json\/pressbooks\/v2\/chapters\/527","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pressbooks.library.torontomu.ca\/advancingculturalaccessibilitypractices\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/pressbooks.library.torontomu.ca\/advancingculturalaccessibilitypractices\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/pressbooks.library.torontomu.ca\/advancingculturalaccessibilitypractices\/wp-json\/wp\/v2\/users\/569"}],"version-history":[{"count":4,"href":"https:\/\/pressbooks.library.torontomu.ca\/advancingculturalaccessibilitypractices\/wp-json\/pressbooks\/v2\/chapters\/527\/revisions"}],"predecessor-version":[{"id":533,"href":"https:\/\/pressbooks.library.torontomu.ca\/advancingculturalaccessibilitypractices\/wp-json\/pressbooks\/v2\/chapters\/527\/revisions\/533"}],"part":[{"href":"https:\/\/pressbooks.library.torontomu.ca\/advancingculturalaccessibilitypractices\/wp-json\/pressbooks\/v2\/parts\/523"}],"metadata":[{"href":"https:\/\/pressbooks.library.torontomu.ca\/advancingculturalaccessibilitypractices\/wp-json\/pressbooks\/v2\/chapters\/527\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/pressbooks.library.torontomu.ca\/advancingculturalaccessibilitypractices\/wp-json\/wp\/v2\/media?parent=527"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/pressbooks.library.torontomu.ca\/advancingculturalaccessibilitypractices\/wp-json\/pressbooks\/v2\/chapter-type?post=527"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/pressbooks.library.torontomu.ca\/advancingculturalaccessibilitypractices\/wp-json\/wp\/v2\/contributor?post=527"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/pressbooks.library.torontomu.ca\/advancingculturalaccessibilitypractices\/wp-json\/wp\/v2\/license?post=527"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}