{"id":151,"date":"2021-03-02T11:35:04","date_gmt":"2021-03-02T16:35:04","guid":{"rendered":"https:\/\/pressbooks.library.ryerson.ca\/mediaucracy\/?post_type=back-matter&#038;p=151"},"modified":"2021-04-15T08:06:57","modified_gmt":"2021-04-15T12:06:57","slug":"endnotes","status":"publish","type":"back-matter","link":"https:\/\/pressbooks.library.torontomu.ca\/mediaucracy\/back-matter\/endnotes\/","title":{"raw":"ENDNOTES","rendered":"ENDNOTES"},"content":{"raw":"<ol class=\"super\">\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Berkowitz, I. (January 27, 2020) Unless we drop our antiquated nationalism, we\u2019ll have nothing. https:\/\/cartt.ca\/analysis-unless-we-drop-our-antiquated-nationalism-well-have-nothing\/.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">The real estate punchline is \u201clocation, location, location.\u201d<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Schneider, M. (September 20, 2020). Emmy awards 2020: HBO dominates, \u2018Watchmen\u2019 triumphs, \u2018Schitt\u2019s Creek\u2019 makes history. Variety. https:\/\/variety.com\/2020\/tv\/news\/emmys-2020-watchmen-jimmy-kimmel-1234776626\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">My words as quoted in CBC News (October 11, 2017). CBC News: Netflix launches campaign to set record straight about 500 million dollar investment. http:\/\/www.cbc.ca\/beta\/news\/business\/netflix-canada-spending-1.434727<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Berkowitz, I.S. (June 10, 2015) In TV\u2019s Golden Age, viewers are already on line. Industry must follow. The Globe and Mail Report on Business. http:\/\/www.theglobeandmail.com\/report-on-business\/rob-commentary\/in-tvs-new-golden-age-consumers-have-the-gold-we-should-follow-their-lead\/article24879478\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Ismail, S. (2016). How do we fix civilization? Tedx. https:\/\/www.youtube.com\/watch?v=mV0oKVOIGG4<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">CRTC (December 10, 2020). Communications Monitoring Report 2020. https:\/\/crtc.gc.ca\/eng\/publications\/reports\/policyMonitoring\/2020\/cmr3.htm<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">CMF 2020). Annual Report 2019-2020. p.31. https:\/\/www.cmf-fmc.ca\/CMF\/media\/documents\/CMF-Annual-Report-2019-20-EN.pdf?ext=.pdf<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">CMPA (April 2, 2020). Profile 2019: Economic report on the screen-based media production industry in Canada. Summary data, p. 4. Exhibit 2-5, p. 25, Canadian English-language TV production.\u00a0 https:\/\/cmpa.ca\/wp-content\/uploads\/2020\/04\/CMPA_2019_E_FINAL.pdf<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">CMPA (2020) Profile 2019:Economic Report on the Screen Based Media Production Industry in Canada. https:\/\/cmpa.ca\/wp-content\/uploads\/2020\/04\/CMPA_2019_E_FINAL.pdf<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">CRTC (March 12, 2015). Broadcasting Regulatory Policy CRTC 2015-86. Government of Canada. para. 28. https:\/\/crtc.gc.ca\/eng\/archive\/2015\/2015-86.htm<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Apprenticeship Program (2000-2021). UNIFOR NABET-700-M. http:\/\/www.nabet700.com\/applicants\/apprenticeship_program\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Canadian Radio-television and Telecommunications Commission (December 12, 2020). Telecommunications Monitoring Report 2020. https:\/\/crtc.gc.ca\/eng\/publications\/reports\/policyMonitoring\/2020\/cmr3.htm#a1<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">The Power of TV Advertising in Canada. (2019). ThinkTV. https:\/\/thinktv.ca\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Gitlin, T. (2000). Inside prime time. Berkeley, CA: University of California Press.p. 31<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Reca, A. A. (2006). Issues in media product management. In A. B. Albarran, S. M. Chan-Olmstead, &amp; M. O. Wirth (Eds.), Handbook of media management and economics (pp. 181-201). Mahwah, NJ: Lawrence Erlbaum.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Berkowitz, I.S. (February 27, 2020). Yale report a month on: The good, the bad and a quid pro quo. Playback. https:\/\/playbackonline.ca\/2020\/02\/27\/yale-report-a-month-on-the-good-the-bad-and-a-quid-pro-quo\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">CRTC (March 12, 2015). Broadcasting Regulatory Policy CRTC 2015-86. Government of Canada. para. 28. https:\/\/crtc.gc.ca\/eng\/archive\/2015\/2015-86.htm<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">CMPA (April 2, 2020). Profile 2019: Economic report on the screen-based media production industry in Canada. p. 38. https:\/\/cmpa.ca\/wp-content\/uploads\/2020\/04\/CMPA_2019_E_FINAL.pdf<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Standing Committee on Canadian Heritage. (2003). Our cultural sovereignty: The second century of Canadian broadcasting. p. 136. http:\/\/www.parl.gc.ca\/HousePublications\/Publication.aspx?DocId=1032284<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">CRTC defined \u201cpeak viewing hours\u201d as 7-11pm rather than traditionally defining prime time as 8-11 pm to help Canadian broadcasters achieve the required 50% Canadian content quota by including news programs.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">CMF (2020). Annual Report 2019-2020. p.31. https:\/\/www.cmf-fmc.ca\/CMF\/media\/documents\/CMF-Annual-Report-2019-20-EN.pdf?ext=.pdf<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">CMPA (April 2, 2020). Profile 2019: Economic report on the screen-based media production industry in Canada. p. 79. https:\/\/cmpa.ca\/wp-content\/uploads\/2020\/04\/CMPA_2019_E_FINAL.pdf<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">CMF (2016). National fiction on the small screen: Study on the performance of local and international drama series in nine small television markets CMF-AQPM-SODEC<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">CMF (2020). Annual Report 2019-2020. p.79 https:\/\/www.cmf-fmc.ca\/CMF\/media\/documents\/CMF-Annual-Report-2019-20-EN.pdf?ext=.pdf<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Berkowitz, I.S. (2016). Domestic supply to global demand: Reframing the challenge of English-language Canadian TV drama. PhD Dissertation. http:\/\/digital.library.ryerson.ca\/islandora\/object\/R<span style=\"text-align: initial;text-indent: -1em;font-size: 1em\">ULA%3A4885\/datastream\/OBJ\/download\/Domestic_supply_to_global_demand__reframing_the_<\/span>challenge_of_Canadian_English-language_television_drama.pdf<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Kissell, R. ( January 12, 2015). Golden Globes ratings on NBC down vs. last year, still strong. Variety.http:\/\/variety.com\/2015\/data\/ratings\/golden-globes-ratings-on-nbc-down-vs-last-year-still-strong-1201400878\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Del Vecchio (September 21, 2020). The 2020 Emmys TV ratings cracked \u2014 and so did its relevance. Forbes.https:\/\/www.forbes.com\/sites\/genedelvecchio\/2020\/09\/21\/the-2020-emmys-tv-ratings-crashedand-so-did-its-relevance\/#a3accf16a2e4<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">My written presentation is at https:\/\/services.crtc.gc.ca\/pub\/ListeInterventionList\/Documents.aspx?ID=218358&amp;Lang=e. The video file is at http:\/\/www.cpac.ca\/en\/digital-archives\/?search=Let%27s+Talk+TV<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Berkowitz, I. S. (March 13, 2015). CRTC gets it: time to make hits, not shows. The Globe and Mail. https:\/\/www.theglobeandmail.com\/opinion\/crtc-gets-it-time-to-make-hits-not-shows\/article23449134\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">CBC News (October 10, 2017). Netflix launches campaign to set record straight about $500M Canadian investment.https:\/\/www.cbc.ca\/news\/business\/netflix-canada-spending-1.4347276<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Berkowitz, I.S. (November 3, 2017). Column: Is it time for a new points system? Playback. https:\/\/playbackonline.ca\/2017\/11\/03\/column-is-it-time-for-a-new-points-system\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Palao, F., Lapierre, M. and Ismail, S. (2019). Exponential Transformation: Evolve your organization (and change the world) with a 10-week ExO sprint. NJ: John Wilely and Sons.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">McQueen, T. (2003). Dramatic choices: A report on Canadian English-language drama. Ottawa, ON: Canadian Radio-television and Telecommunications Commission. Retrieved from http:\/\/www.crtc.gc.ca\/eng\/Library\/Detail\/catalog5894 p. 2<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Berkowitz, I.S, Davis, C. H. and Smith, H. (May 22, 2019). Watchtime Canada: How YouTube connects creators and consumers. https:\/\/sites.google.com\/view\/watchtime-2019<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Ismail. S., Malone, M., and Van Geest, Y. (2014, 2021) <i>Exponential Organizations: Why new organizations are ten times better, faster, and cheaper than yours and what to do about it.<\/i> Diversion Books: New York. (2021 edition forthcoming)<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">based on a famous April 19, 1965 article \u201c The Future of Integrated Circuits\u201d published in Electronics Magazine on April 19, 1965. by Gordon Moore of CalTech, Cramming more components onto integrated circuits originally published in In 1968, Moore founded Intel Corporation in 1968.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Berkowitz, I.S. (2016). Ten media takeaways from Silicon Valley. <i>CMF Trends<\/i>. http:\/\/devtrends.cmf-fmc.ca\/ten-media-takeaways-from-silicon-valley\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">O\u2019Brien, G. (April 15, 2015). NAB 2015: Content discoverability to be the top challenge for the TV biz, \u201cand there\u2019s no number two.\u201d Cartt.ca https:\/\/cartt.ca\/nab-2015-content-discoverability-to-be-the-top-challenge-for-the-tv-biz-and-theres-no-number-two\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Statista (n.d.) Number of Netflix paying subscribers from 2011to 2019 by type. https:\/\/www.statista.com\/statistics\/258321\/number-of-netflix-subscribers-by-type\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Erlichman, J. (September 22, 2020).10 years on: How Netflix in Canada has evolved a decade later. https:\/\/www.google.com\/url?q=https:\/\/www.bnnbloomberg.ca\/10-years-on-how-netflix-in-canada-has-evolved-a-decade-later-1.1497551&amp;sa=D&amp;ust=1609775298236000&amp;usg=AOvVaw2jaxgQE3ntcBchgMI0aH35<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Standing Committee on Canadian Heritage (2003). <i>Our cultural sovereignty: The second century of Canadian broadcasting.<\/i> pp.5, 301. http:\/\/www.parl.gc.ca\/HousePublications\/Publication.aspx?DocId=1032284<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Canadian Radio-television and Telecommunications Commission (December 12, 2020). Telecommunications Monitoring Report 2020. https:\/\/crtc.gc.ca\/eng\/publications\/reports\/policyMonitoring\/2020\/cmr3.htm#a1<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Standing Committee on Canadian Heritage. (2003). Our cultural sovereignty: The second century of Canadian broadcasting. p. 8. http:\/\/www.parl.gc.ca\/HousePublications\/Publication.aspx?DocId=1032284<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Statista (n.d.) Penetration rate of Netflix subscribers 2012-2018 bt subscriber\u2019s language. statista.com https:\/\/www-statista-com.ezproxy.lib.ryerson.ca\/statistics\/473746\/canada-netflix-subscriber-reach-language\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Pinto, J. (September 24, 2020). Throne Speech reaffirms government plans to regulate digital platforms. Playback. https:\/\/playbackonline.ca\/2020\/09\/24\/throne-speech-reaffirms-government-plan-to-regulate-digital-platforms\/?utm_source=newsletter&amp;utm_medium=email&amp;utm_campaign=throne-speech-reaffirms-government-plan-to-regulate-digital-platforms&amp;_u=oCDb6C3h63A%3d<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Curry, B. and Dickson, J. (November 3, 2020). Broadcasting bill targets online streaming services. The Globe and Mail. https:\/\/www.theglobeandmail.com\/politics\/article-ottawa-says-broadcasting-act-changes-will-raise-over-800-million-from\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Above the line is a throwback to the printed version of a production budget where a line was drawn under the key elements, including lead writer, producer(s) and sometimes director (more typically in feature length content). Below the line costs detail the manufacturing crew that won\u2019t be hired until these key elements are approved in the development process. While a budget can span 20-100s of pages, a few \u201cabove the line\u201d elements take up less than half of the first page.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">CRTC (August 25, 2015). FInancial summaries for broadcasting sector. Government of Canada. https:\/\/open.canada.ca\/data\/en\/dataset\/853acdd6-b3cc-4957-8447-c885669a9dad<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Berkowitz, I. S. (June 2016). <i>Domestic supply to Global demand: reframing the challenge of Canadian English-language Canadian television drama<\/i>. PhD Dissertation. http:\/\/digital.library.ryerson.ca\/islandora\/object\/RULA%3A4885\/datastream\/OBJ\/download\/Domestic_supply_to_global_demand__reframing_the_challenge_of_Canadian_English-language_television_drama.pdf<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Davis, C. H., &amp; Kaye, J. (2010a). \u201cIf it ain\u2019t on the page, it ain\u2019t on the stage\u201d: Screenwriting, national specificity and the English-Canadian feature film. Journal of Screenwriting, 2(1), 61-83. doi:10.1386\/josc.2.1.61_1<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">CRTC (March 12, 2015). Jean-Pierre Blais to the Canadian Club of Ottawa on Let\u2019s Talk TV and the future of content made by Canadians (Press release). http:\/\/news.gc.ca\/web\/article-en.do?nid=947239<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">MacDonald, G. (2007, February 24). A hand up in a tough town. <i>The Globe and Mail<\/i>. http:\/\/www.theglobeandmail.com\/arts\/a-hand-up-in-a-tough-town\/article4094117\/?page=al<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Royal Commission on National Development in the Arts, Letters, and Sciences. (1951). Report\u2014Royal Commission on National Development in the Arts, Letters, and Sciences, 1949-1951. Ottawa, ON: Edmond Cloutier, Printer to the King\u2019s Most Excellent Majesty. https:\/\/www.collectionscanada.gc.ca\/massey\/h5-400-e.html<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Standing Committee on Canadian Heritage. (2003). Our cultural sovereignty: The second century of Canadian broadcasting. p. 149 .http:\/\/www.parl.gc.ca\/HousePublications\/Publication.aspx?DocId=1032284<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">CRTC (March 12, 2015). Broadcasting Regulatory Policy 2015-86: The way forward\u2014Creating compelling and diverse Canadian programming. Para. 55. http:\/\/crtc.gc.ca\/eng\/archive2015\/2015-86.htm<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Today in Science History (1999-2020). Albert Einstein. <i>todayinsci.com<\/i> https:\/\/todayinsci.com\/E\/Einstein_Albert\/EinsteinAlbert-Theory-Quotations.htm. Wikipedia explores Occam's razor (based on the 14th century philosopher, William Ockham) as the principle of a preference for simple explanations in philosophy and science.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Porter, M. E. (2008). <i>On competition\u2014Updated and expanded edition.<\/i> Boston, MA: Harvard Business School; Porter, M. E. (1990). The competitive advantage of nations. New York, NY: Free Press; Porter, M. E. (1998). <i>Competitive strategy: Techniques for analyzing industries and competitors.<\/i> New York, NY: The Free Press. (Original work published 1980).<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Christensen, C. (2000). <i>The Innovator\u2019s Dilemma<\/i>. Boston, MA: Harvard Business School Publishing; Christensen, C., Anthony, S., &amp; Roth, E. A. (2013). <i>Seeing what\u2019s next: Using the theories of innovation to predict industry change<\/i>. Boston, MA: Harvard Business School Publishing.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Slywotzky, A.J. (1996). <i>Value migration: How to think several moves ahead of the competition<\/i>. Boston, MA: Harvard Business School Press., p. 17<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">CMPA (April 2, 2020). <i>Profile 2019: Economic report on the screen-based media production industry in Canada<\/i>. p. 18. https:\/\/cmpa.ca\/wp-content\/uploads\/2020\/04\/CMPA_2019_E_FINAL.pdf<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">CRTC (August 25, 2020). FInancial summaries for broadcasting sector. <i>Government of Canada<\/i>. https:\/\/open.canada.ca\/data\/en\/dataset\/853acdd6-b3cc-4957-8447-c885669a9dad<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Sources include Elmer, G., &amp; Gasher, M. (Eds). (2005). <i>Contracting out Hollywood: Runaway productions and foreign location shooting<\/i>. Rowman &amp; Littlefield; , G., Davis C. H., Marchessault, J., &amp; McCullough, J. (Eds.). (2010). <i>Locating migrating media<\/i>. Lanham, MD: Lexington Books; Tinic, S. (2005). <i>On location: Canada\u2019s television industry in a global market.<\/i> Toronto, ON: University of Toronto Press; Zitzerman, D. (2014, January). Great White North. Update re: film and TV production in Canada. Los Angeles, CA. Goodmans LLP.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Canadian Forex. (2015, June 29). Yearly average exchange rate for currencies. Retrieved from http:\/\/www.canadianforex.ca\/forex-tools\/historical-rate-tools\/yearly-average-rates<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Vlessing, E. (October 16, 2020). City Hall is recruiting a private developer to build 500,000 square feet of stages and facilities on a chunk of land next to Pinewood Studios. https:\/\/www.hollywoodreporter.com\/index.php\/news\/giant-film-studio-development-planned-for-toronto<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">I have initiated 2 ideas to remedy this creative disconnect between Canada and Hollywood. Both got traction and the effort is ongoing.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">BBC: 10351 Santa Monica Blvd. ITV: 15303 Ventura Blvd. Australia Channel Seven: 10100 Santa Monica Blvd. Channel Nine: 6255 Sunset Blvd. Channel Ten: 3440 Motor Ave.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Porter, M. E. (1998, November). Clusters and the new economics of competition. <i>Harvard Business Review<\/i>, 77-90. https:\/\/hbr.org\/1998\/11\/clusters-and-the-new-economics-of-competition<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Berkowitz, I., Davis, C.H. and Smith, H. (May 22, 2019). Watchtime Canada:How YouTube connects creators and consumers. https:\/\/audiencelab.fcad.ryerson.ca\/wp-content\/uploads\/2019\/05\/YouTube-Full-Report-FINAL_V7_May21.pdf and https:\/\/sites.google.com\/view\/watchtime-2019<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Berkowitz, I.S., Davis, C.H., Smith, H. (May 22, 2019). Watchtime Canada: How YouTube connects creators and consumers. p.13. https:\/\/sites.google.com\/view\/watchtime-2019<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Menzies, P. (September 5, 2019) YouTube knocking down Canada\u2019s protective wall. https:\/\/troymedia.com\/?s=menzies+youtube2019 (July 3).<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Berkowitz, I. S. (July 6, 2015). Yanking the value chain: how to make global hits. Playback. http:\/\/playbackonline.ca\/2015\/07\/06\/yanking-the-value-chain-how-to-make-global-hits\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Berkowitz, I., Davis, C. H., Smith, H. (2019). Watchtime Canada: How YouTube connects creators and consumers. https:\/\/audiencelab.fcad.ryerson.ca\/wp-content\/uploads\/2019\/05\/YouTube-Full-Report-FINAL_V7_May21.pdf and https:\/\/sites.google.com\/view\/watchtime-2019<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Berkowitz, I., Davis, C. H., Smith, H. (2019). Watchtime Canada: How YouTube connects creators and consumers. Figure 2.22 Please note that on YouTube, an eligible creators is an audience-derived definition, requiring more than 1,000 subscribers and 4,000 hours of watch time within the previous 12 months. https:\/\/audiencelab.fcad.ryerson.ca\/wp-content\/uploads\/2019\/05\/YouTube-Full-Report-FINAL_V7_May21.pdf and https:\/\/sites.google.com\/view\/watchtime-2019<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Data as of December 2019, compiled by the author from youtube.com and socialblade.com.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Berkowitz, I., Davis, C. H., Smith, H. (2019). <i>Watchtime Canada: How YouTube connects creators and consumers<\/i>. https:\/\/audiencelab.fcad.ryerson.ca\/wp-content\/uploads\/2019\/05\/YouTube-Full-Report-FINAL_V7_May21.pdf and https:\/\/sites.google.com\/view\/watchtime-2019<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">Press, J. (August 29, 2019). Why Israeli TV Is Irresistible to American Producers: From Homeland to Euphoria to Sacha Baron Cohen\u2019s new Netflix series, American TV can\u2019t stop adapting inventive Israeli formats. Vanity Fair. https:\/\/www.vanityfair.com\/hollywood\/2019\/08\/why-israeli-tv-is-irresistible-to-american-producers<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Hale, M. (December 20, 2019). The 30 best international TV shows of the decade. <i>The New York Times<\/i>. https:\/\/www.nytimes.com\/2019\/12\/20\/arts\/television\/best-international-tv-shows.html<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Ahdollah, T. (January 30, 2020). \u2018We\u2019re not trying to export Hollywood:\u2019 Netflix\u2019s Ted Sarandos breaks down the new movie model. dot.LA https:\/\/dot.la\/ted-netflix-chief-content-officer-ted-sarandossarandos-netflix-upfront-summit-2644985040.html<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Canada Media Fund (August 10, 2016). National Fiction on the Small Screen. https:\/\/trends.cmf-fmc.ca\/wp-content\/uploads\/National_Fiction_on_the_Small_Screen_FINAL_2016-10-13.pdf<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>MDR-CMPA (August 31, 2016). <i>Exporting Canadian television globally: Trends, opportunities and future directions<\/i>. p. 28, 32. For Canada, CMF Annual Report, http:\/\/ar-ra15-16.cmf-fmc.ca\/audience\/sales_and_exports\/.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Creighton, V. (March 31, 2015). Driving the digital economy: The role of the Canada Media Fund. Economic Club of Canada.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CBI (August 2016). <i>All the world\u2019s a stage: Growing Britain\u2019s creative industries<\/i>. p. 12 http:\/\/www.cbi.org.uk\/cbi-prod\/assets\/File\/all-the-worlds-a-stage(1).pdfCBI defines itself as UK\u2019s most effective and influential business organisation representing 190,000 businesses that employ 7 million people, one-third of private sector.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CBI (October 2019). <i>Centre Stage: Keeping the UK\u2019s creative industries in the spotlight<\/i> https:\/\/www.cbi.org.uk\/media\/3857\/12527_creative-industries_hyperlinks.pdf.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CBI (October 2019). <i>Centre Stage: Keeping the UK\u2019s creative industries in the spotlight<\/i> https:\/\/www.cbi.org.uk\/media\/3857\/12527_creative-industries_hyperlinks.pdf.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Ritman, A and Szalai, G. (July 23, 2020). BBC\u2019s global audience reaches record in 2020. <i>Hollywood Reporter<\/i>. https:\/\/www.hollywoodreporter.com\/news\/bbc-support-uk-indie-production-sector-virus-crisis-1288661<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Ritman, A. and Szalai, G. (July 27, 2020). BritBox Streaming Service to Expand In Up to 25 Countries. <i>Hollywood Reporter<\/i>. https:\/\/www.hollywoodreporter.com\/news\/britbox-streaming-service-expand-up-25-countries-1304496<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Debnath, N. (2015, June 13). Downton Abbey to be given special BAFTA award for flying the flag for British drama. Express. para.4. http:\/\/www.express.co.uk\/entertainment\/tv-radio\/584231\/Downton-Abbey-Bafta-award-Hugh-Bonneville-Julian-Fellowes.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CBI (October 2019). Centre stage: Keeping the UK\u2019s creative industries in the spotlight. p. 5 https:\/\/www.cbi.org.uk\/media\/3857\/12527_creative-industries_hyperlinks.pdf<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Hale, M. (December 20, 2019). The 30 best international TV shows of the decade. <i>The New York Times<\/i>. https:\/\/www.nytimes.com\/2019\/12\/20\/arts\/television\/best-international-tv-shows.html<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>https:\/\/www.imdb.com\/list\/ls097504651\/?sort=moviemeter,asc&amp;st_dt=&amp;mode=detail&amp;page=1 as of August 2020<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Abend, L. (December 14, 2019). The world wants more Danish TV than Denmark can handle: The streaming boom has led to huge international demand for shows from this tiny country, but there aren\u2019t enough professionals to produce them. <i>The New York Times<\/i>. https:\/\/www.nytimes.com\/2019\/12\/14\/arts\/television\/denmark-netflix-labor-shortage.html<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Danish TV is sooo hot right now (ND) https:\/\/scandification.com\/best-danish-tv-series\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Abend, L. (December 14, 2019). The world wants more Danish TV than Denmark can handle: The streaming boom has led to huge international demand for shows from this tiny country, but there aren\u2019t enough professionals to produce them.<i>The New York Times<\/i>. https:\/\/www.nytimes.com\/2019\/12\/14\/arts\/television\/denmark-netflix-labor-shortage.html<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Gilbert, G. (May 12, 2012). How does Danish TV company DR keep churning out the hits? The Killing, Borgen, The Bridge...Gerard Gilbert goes inside the Danish TV hit factory. <i>The Independent. <\/i>https:\/\/www.independent.co.uk\/arts-entertainment\/tv\/features\/how-does-danish-tv-company-dr-keep-churning-out-the-hits-7728833.html<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Canadian Radio-television and Telecommunications Commission. (2004). Incentives for English-language Canadian television drama (Broadcasting Public Notice CRTC 2004-93). Retrieved from http:\/\/www.crtc.gc.ca\/eng\/archive\/2004\/pb2004-93.htm<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Gosselin, F. and Guarino, F. (2016) for Canada Media Fund. <i>National Fiction on the Small Screen: Study on the performance of local and international drama series in nine small televisual markets<\/i>. https:\/\/trends.cmf-fmc.ca\/wp-content\/uploads\/National_Fiction_on_the_Small_Screen_FINAL_2016-10-13.pdf<span class=\"Apple-tab-span\"> <\/span><\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Gilbert, G. (May 12, 2012). How does Danish TV company DR keep churning out the hits? The Killing, Borgen, The Bridge...Gerard Gilbert goes inside the Danish TV hit factory. <i>The Independent<\/i>. https:\/\/www.independent.co.uk\/arts-entertainment\/tv\/features\/how-does-danish-tv-company-dr-keep-churning-out-the-hits-7728833.htm<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Davis, C. H., Vladica, F., &amp; Berkowitz, I. (2008). Business capabilities of small entrepreneurial media firms: Independent production of children\u2019s television in Canada. <i>Journal of Media Business Studies,<\/i> 5(1), 9-39.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>TV Series, Denmark (Sorted by Popularity. Retrieved August 2020. https:\/\/www.imdb.com\/search\/title\/?title_type=tv_series&amp;countries=dk<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Ginsberg, M. (December 18, 2015). Why Tel Aviv is Hollywood\u2019s New Billion-Dollar Sin City. <i>Hollywood Reporter<\/i>.https:\/\/www.hollywoodreporter.com\/news\/tel-aviv-is-hollywoods-new-848528<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Roxborough, S. (ND) Why the world is watching Israeli TV series. dw.com. .https:\/\/www.dw.com\/en\/why-the-world-is-watching-israeli-tv-series\/a-4804954<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Press, J. (August 29, 2019). Why Israeli TV Is Irresistible to American Producers: From <i>Homeland<\/i> to <i>Euphoria<\/i> to Sacha Baron Cohen\u2019s new Netflix series, American TV can\u2019t stop adapting inventive Israeli formats. <i>Vanity Fair.<\/i> https:\/\/www.vanityfair.com\/hollywood\/2019\/08\/why-israeli-tv-is-irresistible-to-american-producers<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Beinart, P. (June 20, 2019).Unpacking the Immense Popularity of Shtisel The Israeli television show\u2019s deft combination of particularity and universality lies at the core of its appeal. <i>The Atlantic<\/i>. https:\/\/www.theatlantic.com\/entertainment\/archive\/2019\/06\/netflix-shtisel-israeli-tv-show-popularity\/591883\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Roxborough, S. (ND) Why the world is watching Israeli TV series. <i>dw.com<\/i>. https:\/\/www.dw.com\/en\/why-the-world-is-watching-israeli-tv-series\/a-48049546<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>White, P.Z. (June 13, 2019) Autism Drama \u2018The A Word\u2019 Set For U.S. Broadcast Remake As Israel\u2019s Keshet Doubles Down On U.S. Development. <i>Deadline<\/i>. https:\/\/deadline.com\/2019\/06\/the-a-word-us-remake-keshet-1202631197\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Poniewozik, J.; Hale, M.; Lyons, M. (December 4, 2017). The Best TV Shows of 2017. <i>The New York Times<\/i>. https:\/\/www.nytimes.com\/2017\/12\/04\/arts\/television\/best-tv-shows.html<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Press, J. (August 29, 2019). Why Israeli TV is irresistible to American producers. <i>Vanity Fair<\/i>. https:\/\/www.vanityfair.com\/hollywood\/2019\/08\/why-israeli-tv-is-irresistible-to-american-producers<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>White, P.Z. (June 13, 2019) Autism Drama \u2018The A Word\u2019 Set For U.S. Broadcast Remake As Israel\u2019s Keshet Doubles Down On U.S. Development. <i>Deadline<\/i>. https:\/\/deadline.com\/2019\/06\/the-a-word-us-remake-keshet-1202631197\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>World Economic Forum (2020). Global Competitive Index 2016-2017: Country Profiles. http:\/\/reports.weforum.org\/global-competitiveness-index-2016-2017\/country-profiles\/#economy=ISR. The 16 factors evaluated were capacity to innovate, government bureaucracy, labor regulations, tax regulations, tax rates, access to financing, infrastructure, work ethic, corruption, crime and theft, education, inflation, foreign currency regulation, government stability, and public health), For the two other countries profiled, innovation capacity ranks towards the middle of the list, 10th and 7th for Denmark and South Korea, respectively.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>retrieved August 2020. https:\/\/www.imdb.com\/search\/title\/?title_type=tv_series&amp;countries=il<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Friedman, G. (August 15, 2020).Epic TV series \u2018Beauty Queen of Jerusalem\u2019 to feature \u2018Shtisel\u2019 star Aloni Production underway on ambitious Israeli show telling family\u2019s story in Israel throughout the early 20th century.<i>The Times of Israel<\/i>. https:\/\/www.timesofisrael.com\/epic-tv-series-beauty-queen-of-jerusalem-to-feature-shtisel-star-aloni\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Brown, H. (August 8, 2020). Israeli TV show \u2018Tehran\u2019 goes global: The producers are hoping that Tehran can draw an international audience once it debuts on Apple and that it will become a talked-about hit the way Fauda and Shtisel have. <i>Jerusalem Post<\/i>. https:\/\/www.jpost.com\/israel-news\/culture\/israeli-tv-show-tehran-goes-global-637783<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Wade, B. (March 20, 2020) Here\u2019s all the best Netflix Korean drama to watch on demand. <i>Filmdaily<\/i>. https:\/\/filmdaily.co\/news\/best-korean-dramas-on-netflix\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Moon, K. (May 12, 2020). The 10 Best Korean Dramas to Watch on Netflix. <i>Time<\/i>. https:\/\/time.com\/5835519\/best-korean-dramas-netflix\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Yoon, D. and Watson, R.T. (August 13, 2020). This Summer\u2019s Only Blockbuster Is a South Korean Zombie Film:\u2018Peninsula\u2019 has faced little Hollywood competition and has won ticket sales across Asia, where some theaters have remained open during the coronavirus pandemic. <i>Wall Street Journal<\/i>. https:\/\/www.wsj.com\/articles\/this-summers-only-blockbuster-is-a-south-korean-zomb<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span><i>Kim Gu <\/i>(March 1, 1948). <i>Baekbeomilji<\/i><\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Canadian films at Canadian theatrical box office have a share of about 2%, a statistic that seems a historical anomaly in the streaming era. https:\/\/en.wikipedia.org\/wiki\/Cinema_of_Canada<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>As quoted in Jin, Dal Yong (2016). \u201cThe Rise of the New Korean Wave\u201d. In Jin, Dal Yong (ed.). <i>New Korean Wave. New Korean Wave<\/i>. Transnational Cultural Power in the Age of Social Media. University of Illinois Press. pp. 3\u201319. ISBN 978-0252039973.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Leong, M. (August 2, 2014). How Korea became the world\u2019s coolest brand. <i>Financial Post<\/i>. https:\/\/financialpost.com\/news\/retail-marketing\/how-korea-became-the-worlds-coolest-brand?r<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>KBS America \u201c(2017) \u201cAbout us\u201d retrieved December 19, 2020. http:\/\/www.kbs-america.com\/company\/aboutus<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Canada Media Fund data: funding models analyses, 2015<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Canada Media Fund data: funding models analyses, 2015<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Park, E-A. (2018). Business Strategies of Korean TV Players in the Age of Over-The-Top (OTT) Video Service. <i>International Journal of Communication<\/i> 12(2018), 4646\u20134667 1932\u20138036\/20180005<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Park, E-A. (2018). Business Strategies of Korean TV Players in the Age of Over-The-Top (OTT) Video Service. <i>International Journal of Communication<\/i> 12(2018), 4646\u20134667 1932\u20138036\/20180005<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>MacDonald, J. (May 23, 2019). With more female screenwriters, do Korean TV dramas pass the Bechdel test? <i>Forbes<\/i>. https:\/\/www.forbes.com\/sites\/joanmacdonald\/2019\/05\/23\/with-more-female-screenwriters-do-korean-tv-dramas-pass-the-bechdel-test\/?sh=553cae0f5f9c<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Zeitchek, S. (February 8, 2020). A woman has not won a screenwriting Oscar since the George W. Bush administration. Activists call it a travesty, <i>The Washington Post<\/i>. https:\/\/www.washingtonpost.com\/business\/2020\/02\/08\/woman-has-not-won-screenwriting-oscar-since-george-w-bush-administration\/. Women in Hollywood (n.d.). 2019 Statistics. https:\/\/womenandhollywood.com\/resources\/statistics\/2019-statistics\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>TV Series, South Korea (Sorted by Popularity Ascending). imdb.com Retrieved August 2020: https:\/\/www.imdb.com\/search\/title\/?countries=kr&amp;sort=moviemeter,asc&amp;title_type=tv_series<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>TV Series, Canada, imdb.com. Retrieved August 2020: https:\/\/www.imdb.com\/search\/title\/?title_type=tv_series&amp;countries=ca<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>In designing the Canadian framework, traditional \u201cprimetime\u201d (8-11) was replaced by \u201cevening hours\u201d 6pm-12am to allow Canadian networks to meet their 50% quota of Canadian content by including news and prime access (7-8pm), leaving most of the traditional prime time open for Hollywood hits because popular primetime shows are TV\u2019s economic driver.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CBC Media Centre (April 16, 2020) CBC original Schitt\u2019s Creek wraps its final season as the #1 Canadian comedy series of the year. cbc.ca https:\/\/www.cbc.ca\/mediacentre\/press-release\/cbc-original-schitts-creek-wraps-its-final-season-as-the-1-canadian-comedy#:~:text=Releases%20Schedules%20Contact-,CBC%20ORIGINAL%20SCHITT\u2019S%20CREEK%20WRAPS%20ITS%20FINAL%20SEASON%20AS%20THE,COMEDY%20SERIES%20OF%20THE%20YEAR&amp;text=CBC\u2019s%20original%20hit%20comedy%20SCHITT\u2019S,the%202019%2D20%20broadcast%20season.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Noam, E. M. (2008, July 11). TV or not TV: Three screens, one regulation? (Report to the Canadian Radio-television and Telecommunications Commission. <i>crtc.gc.ca<\/i> http:\/\/www.crtc.gc.ca\/eng\/media\/noam2008.htm Reasons for Regulation section, para. 6<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Caplan, G. L., &amp; Sauvageau, F. (1986). Report of the Task Force on Broadcasting Policy. Ottawa, ON: Minister of Supply and Services Canada. p. 76 https:\/\/catalogue.library.ryerson.ca\/record=b1054189<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Standing Committee on Canadian Heritage. (2003). Our cultural sovereignty: The second century of Canadian broadcasting. pp 5, 301. https:\/\/www.ourcommons.ca\/DocumentViewer\/en\/37-2\/HERI\/report-2\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Some sources: Babe, R. E. (2000). <i>Canadian communication thought: Ten foundational writers<\/i>. Toronto, ON: University of Toronto Press; Edwardson, R. (2008). <i>Canadian content, culture and the quest for nationhood<\/i>. Toronto, ON: University of Toronto Press; Frye, N. (1971). <i>The bush garden: Essays on the Canadian imagination<\/i>. Toronto, ON: House of Anansi.diss-Frye, N. 1971; Godfrey, S., &amp; Unger, F. (2004). <i>The shifting foundations of modern nation-states: Realignments of belonging<\/i>. Toronto, ON: University of Toronto Press; Johnson-Yale, C. (2008). \u201cSo-called runaway film production\u201d: <i>Countering Hollywood\u2019s outsourcing narrative in the Canadian press. <\/i>Critical Studies in Media Communications, 25(2), 113-134. doi:10.1080\/15295030802032259; Noam, E. M. (July 11, 2008). TV or not TV: Three screens, one regulation? Report to the Canadian Radio-television and Telecommunications http:\/\/www.crtc.gc.ca\/eng\/media\/noam2008.htm<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Babe, R. E. (2000). Canadian communication thought: Ten foundational writers. Toronto, ON: University of Toronto Press<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Frye, N. (1971). The bush garden: Essays on the Canadian imagination. P. iii-iv. Toronto, ON: House of Anansi.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Edwardson, R. (2008). Canadian content, culture and the quest for nationhood. Toronto, ON: University of Toronto Press. p. 283<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Noam, E. M. (2008, July 11). TV or not TV: Three screens, one regulation? (Report to the Canadian Radio-television and Telecommunications Commission). Reasons for Regulation section, para. 6 http:\/\/www.crtc.gc.ca\/eng\/media\/noam2008.htm<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Litt, P. (1992). <i>The muses, the masses and the Massey Commission<\/i>. Toronto, ON: University of Toronto Press.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Royal Commission on Radio Broadcasting. (1929). Report of the Royal Commission on Radio Broadcasting. Ottawa, ON: F.A. Acland, Printer to the King. pps. 1, 4, 17 http:\/\/publications.gc.ca\/collections\/collection_2014\/bcp-pco\/CP32-104-1929-eng.pdf.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Royal Commission on Radio Broadcasting. (1929). Report of the Royal Commission on Radio Broadcasting. Ottawa, ON: F.A. Acland, Printer to the King. pps. 1, 4, 17. http:\/\/publications.gc.ca\/collections\/collection_2014\/bcp-pco\/CP32-104-1929-eng.pdf<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Government of Canada, Report of the Royal Commission on Radio Broadcasting (1929). p.p. 1, 3, 17 http:\/\/publications.gc.ca\/collections\/collection_2014\/bcp-pco\/CP32-104-1929-eng.pdf<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Government of Canada, Report of the Royal Commission on Radio Broadcasting (1929). p. 6 http:\/\/publications.gc.ca\/collections\/collection_2014\/bcp-pco\/CP32-104-1929-eng.pdf<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Standing Committee on Canadian Heritage. (2003). <i>Our cultural sovereignty: The second century of Canadian broadcastin<\/i>g. http:\/\/www.parl.gc.ca\/HousePublications\/Publication.aspx?DocId=1032284<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Standing Committee on Canadian Heritage. (2003). <i>Our cultural sovereignty: The second century of Canadian broadcasting<\/i>. http:\/\/www.parl.gc.ca\/HousePublications\/Publication.aspx?DocId=1032284<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Classictvhits.com. (n.d.). TV ratings: Top 30 shows for each year, from 1950 to 2000. Retrieved from http:\/\/www.classictvhits.com\/tvratings\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Palmer, S. (2006). <i>Television disrupted: The transition from network to networked TV<\/i>. Burlington, MA: Focal Press\/Elsevier.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Litt, P. (1992). <i>The muses, the masses and the Massey Commission<\/i>. Toronto, ON: University of Toronto Press. p. 48<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Wikipedia (n.d.) Texaco Star Theatre. https:\/\/en.wikipedia.org\/wiki\/Texaco_Star_Theater<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Litt, P. (1992). <i>The muses, the masses and the Massey Commission<\/i>. Toronto, ON: University of Toronto Press. p. 71, from CKEY briefs (vol. 7 no. 86, pp. 28-29).<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span><i>Report - Royal Commission on National Development in the Arts, Letters, and Sciences, 1949-1951<\/i>. (1951). Ottawa: ON: Edmond Cloutier, Printer to the King\u2019s Most Excellent Majesty Royal Commission, 1951. Section 18, para. 26 https:\/\/www.collectionscanada.gc.ca\/massey\/index-e.html<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>OFA Entertainment. (2010). The Ed Sullivan Show\u2014The official Ed Sullivan site. Retrieved from http:\/\/www.edsullivan.com\/most-frequent-ed-sullivan-show-guests. Canadians Wayne and Shuster became the most frequent performers on <i>The Ed Sullivan Show<\/i>. With 58 appearances, they beat Topo Gigio, a mouse puppet who appeared 50 times.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span><i>Report\u2014Royal Commission on National Development in the Arts, Letters, and Sciences, 1949-1951<\/i>. (1951). Ottawa, ON: Edmond Cloutier, Printer to the King\u2019s Most Excellent MajestyRoyal Commission, 1951, section 18, para. 26, Chapter III, section 47, para. 18.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span><i>Report - Royal Commission on National Development in the Arts, Letters, and Sciences, 1949-1951<\/i>. (1951). Ottawa, ON: Edmond Cloutier, Printer to the King\u2019s Most Excellent MajestyRoyal Commission, 1951, Chapter II, paras. 9-10, [my italics]<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Fulford, R. (December 22, 2001). The Massey Report: Did it send us the wrong way? The National Post. www.robertfulford.com\/MasseyReport.html, paras 7-8.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Government of Canada, Standing Committee on Canadian Heritage. (2003). <i>Our cultural sovereignty: The second century of Canadian broadcasting<\/i>. http:\/\/www.parl.gc.ca\/HousePublications\/Publication.aspx?DocId=103228<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Government of Canada (1991). <em>Broadcasting Act<\/em>. https:\/\/laws.justice.gc.ca\/eng\/acts\/B-9.01\/page-5.html#docCont<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Government of Canada. Copyright Act. <i>Justice Laws<\/i>. https:\/\/laws-lois.justice.gc.ca\/eng\/acts\/C-42\/Index.html has undergone a review process. The results were tabled in May 2019, resulting in 36 recommendations. Part I, Section 3(d) https:\/\/gowlihngwlg.com\/en\/insights-resources\/articles\/2019\/more-changes-to-canadian-copyright-law-announced\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Government of Canada (December 7, 2020). CRTC: Departmental results report 2019-2020. https:\/\/crtc.gc.ca\/eng\/backgrnd\/drr2020\/drr2020.htm<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Government of Canada (1991), <em>Broadcasting Act<\/em>. <i>Justice Laws<\/i>. Broadcasting Policy, Section 3, para. d.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Palmer, P. (January 23, 2015). Why broadcasting and telecoms belong in different legislation. Philip Palmer Law. http:\/\/philippalmerlaw.ca\/broadcasting-telecoms-belong-different-legislation\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CRTC (1971). Canadian Broadcasting, A Single System: Policy Statement on Cable Television. Section 4 Many thanks to retired CRTC Executive, Margaret Kennedy, who facilitated my request for the original documents on simultaneous substitution and spent hours of research to find these archived files.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\">\u00a0Personal communication with the author.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Canadian Radio-television and Telecommunications Commission. (2011). Broadcasting Decision 2011-441: Group-based licence renewals for English-language television groups\u2014Introductory decision. Canadian Program Expenditures. http:\/\/www.crtc.gc.ca\/eng\/archive\/2011\/2011-441.htm<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Berkowitz, I.S. (February 27, 2020). Yale report a month on: The good, the bad and a quid pro quo. https:\/\/playbackonline.ca\/2020\/02\/27\/yale-report-a-month-on-the-good-the-bad-and-a-quid-pro-quo\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Grant, P. S., &amp; Buchanan, G. (Eds.). (2010). <i>Regulatory guide to Canadian television<\/i>. Toronto, ON: McCarthy Tetrault.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Rogers Communications Inc. (October 8, 2014). Intervention 2345, Appendix C by Armstrong Consulting: The economic value of simultaneous signal substitution for English-language private television broadcasters. https:\/\/services.crtc.gc.ca\/pub\/ListeInterventionList\/Default-Defaut.aspx?en=2014-190&amp;dt=i&amp;S=C&amp;PA=b&amp;PT=nc&amp;PST=a&amp;lang=e<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Thanks to CRTC who provided the dates of meetings between the industry and the CRTC over the four years (1980-1984) that it took to create the 10 point system.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Berkowitz, I.S. (January 27, 2020). Analysis: Unless we drop our antiquated nationalism, we\u2019ll have nothing. cartt.ca https:\/\/cartt.ca\/analysis-unless-we-drop-our-antiquated-nationalism-well-have-nothing\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Zitzerman, D. (March 2012). Structuring an international treaty co-production or a CRTC co-venture: Insight 5th edition entertainment law: Best practice and lessons learned. www.goodmans.ca\/files\/file\/docs\/zitzerman.pdf, p. 6<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>An obscure report about new opportunities emerging in the U.S. may have laid conceptual groundwork for the Canadian co-ventures category. Apparently authored by a consulting company for Pierre Elliot Trudeau\u2019s Department of Communications, it observed that opportunity and mutual need would define the U.S. market for Canadian TV programs. It emphasized Canadian creative talent: \u201cIn the final analysis, it is the strength of the program idea that matters most. Canadians do not lack talent or ideas\u201d (Grieve, Horner, &amp; Associates, 1983).<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Canadian Forex. (June 29, 2015). Yearly average exchange rate for currencies. http:\/\/www.canadianforex.ca\/forex-tools\/historical-rate-tools\/yearly-average-rates<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Berkowitz, I.S. (January 27, 2020). Analysis: Unless we drop our antiquated nationalism, we\u2019ll have nothing. cartt.ca https:\/\/cartt.ca\/analysis-unless-we-drop-our-antiquated-nationalism-well-have-nothing\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Per CRTC 2015-86 (March 12, 2015), <i>The Way Forward<\/i>, Canadian content daytime quotas were removed in 2016.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Broadcast exhibition quotas underwent revisions, but there were few substantive changes until CRTC\u20192015 decision resulting from <i>Let\u2019s Talk TV<\/i>,# the nation\u2019s first inquiry on the impact of global media disruption. Daytime regulations were removed, so as to focus on high-budget, high-employment primetime Canadian content, another strategy to direct more resources towards Canadian content in the hopes of increasing popularity. <i>Let\u2019s Talk TV<\/i> is examined in Chapter 5.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Lemieux, R., &amp; Jackson, J. ( October 12, 1999) Cultural exemptions in Canada\u2019s major international trade agreements and investment relationships. http:\/\/www.parl.gc.ca\/Content\/LOP\/researchpublications\/prb9925-e.ht<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>McGregor, J. (October 17, 2018). Canada to apply USMCA cultural exemption to trade in digital media. cbc.ca ttps:\/\/www.cbc.ca\/news\/politics\/usmca-nafta-cultural-exemption-1.4865113<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CRTC (May 17, 1999). CRTC Broadcasting Public Notice (PN) 1999-84, Telecom PN 99-14. The Commission\u2019s approach to new media. para. 6. http:\/\/www.crtc.gc.ca\/eng\/archive\/1999\/pb99-84.htm<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>The Power of TV Advertising in Canada. (2019). <i>ThinkTV<\/i>. https:\/\/thinktv.ca\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Berkowitz, I.S. (February 27, 2020). Yale report a month on: The good, the bad and a quid pro quo. Playback. https:\/\/playbackonline.ca\/2020\/02\/27\/yale-report-a-month-on-the-good-the-bad-and-a-quid-pro-quo\/#ixzz6hCaXCMop<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Standing Committee on Canadian Heritage. (2003). <i>Our cultural sovereignty: The second century of Canadian broadcasting.<\/i> http:\/\/www.parl.gc.ca\/HousePublications\/Publication.aspx?DocId=1032284. p. 136.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>for example, Macerola, F. (2003, June). Canadian content in the 21st century in film and television productions: A matter of cultural destiny (Cat. No. CH44-29\/2003). https:\/\/www.sfu.ca\/cmns\/courses\/230\/Body%20text.section\/Canada\/Canadian%20Content-2003E.pdf<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Standing Committee on Canadian Heritage. (2003). <i>Our cultural sovereignty: The second century of Canadian broadcasting<\/i>. http:\/\/www.parl.gc.ca\/HousePublications\/Publication.aspx?DocId=1032284, p.121.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Standing Committee on Canadian Heritage. (2003). <i>Our cultural sovereignty: The second century of Canadian broadcasting<\/i>. Standing Committee on Canadian Heritage, p. 132-164.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Zitzerman, D. (March, 2012). Structuring an international treaty co-production or a CRTC co-venture: Insight 5th edition entertainment law: Best practice and lessons learned. www.goodmans.ca\/files\/file\/docs\/zitzerman.pdf<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Hoskins, C., McFadyen, S. &amp; Finn, A. (2004). <i>Media economics: Applying economics to new and traditional media<\/i>. Thousand Oaks, CA: Sage. p. 160-320.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Porter, M. E. (1998b, November). Clusters and the new economics of competition. <i>Harvard Business Review<\/i>, p. 86-87<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Coalition of Canadian Audio-Visual Unions, 2003.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>McQueen, T. (2003). Dramatic choices: A report on Canadian English-language drama. Ottawa, ON: Canadian Radio-television and Telecommunications Commission. p. 2. http:\/\/www.crtc.gc.ca\/eng\/Library\/Detail\/catalog5894<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CRTC (November 29, 2004). Incentives for English-language Canadian television drama (Broadcasting Public Notice CRTC 2004-93). http:\/\/www.crtc.gc.ca\/eng\/archive\/2004\/pb2004-93.htm<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Government of Canada, Department of Canadian Heritage. (2009). <i>Canada Media Fund<\/i>. para. 27. http:\/\/www.pch.gc.ca\/eng\/1294329166335\/1294330109930<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>de Rosa, M. and Burgess, M. (December 2015). <i>An international comparative study: How national content is defined in Canada and selected countries for the purpose of providing access to public support.<\/i> CMPA-CMF-Telefilm-OMDC-MDR; CMF-Olsberg SPI (September 2015). <i>New funding models: How funders cope in a changing media environment<\/i>. London, UK.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Berkowitz, I. S. (June 10, 2015). In TV\u2019s Golden Age, viewers are already on line. Industry must follow. <i>The Globe and Mail Report on Business<\/i>. http:\/\/www.theglobeandmail.com\/report-on-business\/rob-commentary\/in-tvs-new-golden-age-consumers-have-the-gold-we-should-follow-their-lead\/article24879478\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Statista (n.d.) Penetration rate of Netflix subscribers in Canada 2012-2018 by subscriber\u2019s language. statista.com https:\/\/www-statista-com.ezproxy.lib.ryerson.ca\/statistics\/473746\/canada-netflix-subscriber-reach-language\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Public Interest Advocacy Center\/PIAC ( September 9, 2014). <i>Let\u2019s Talk TV, Day 2<\/i>. http:\/\/www.piac.ca\/telecom\/let_s_talk_tv_day_2\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Oliveira, M. (September 20, 2013). Netflix doubles subscriber base in Canada. <i>The Globe and Mail<\/i>. https:\/\/www.theglobeandmail.com\/technology\/business-technology\/netflix-doubles-subscriber-base-in-canada-survey-says\/article14433587\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>As quoted in Berkowitz, I. S. (February 27, 2020). Yale report a month on: The good, the bad, and a quid pro quo. Playback. https:\/\/playbackonline.ca\/2020\/02\/27\/yale-report-a-month-on-the-good-the-bad-and-a-quid-pro-quo\/ in a speech by then CRTC VP of Telecommunications, Peter Menzies. Original speech can be found at: Government of Canada (September 23, 2013). Speech by Peter Menzies. https:\/\/www.canada.ca\/en\/news\/archive\/2013\/09\/speech-peter-menzies.html<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Friends of Canadian Broadcasting (March 12, 2015),. Speech: CRTC Chairman on Let\u2019s Talk TV and the future of content made by Canadians by Jean-Pierre Blais. https:\/\/friends.ca\/explore\/article\/speech-crtc-chairman-on-lets-talk-tv-and-the-future-of-content-made-by-canadians-by-jean-pierre-blais\/Age of abundance, paras. 11-12 &amp; Conclusion, para. 2) http:\/\/news.gc.ca\/web\/article-en.do?nid=926529<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Berkowitz, (I. S.) (September 9, 2014) <i>Brain Drain to Brain Chain | Can Con to Can Brand\u2014Reframing the Challenge of English Language Canadian TV Drama<\/i> https:\/\/services.crtc.gc.ca\/pub\/ListeInterventionList\/Documents.aspx?ID=218358&amp;en=2014-190&amp;dt=i&amp;lang=e&amp;S=C&amp;PA=b&amp;PT=nc&amp;PST=a<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CRTC (2014) Interventions, Public Process 2014-90 https:\/\/services.crtc.gc.ca\/pub\/ListeInterventionList\/Default-Defaut.aspx?en=2014-190&amp;dt=i&amp;lang=e&amp;S=C&amp;PA=b&amp;PT=nc&amp;PST=a<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Berkowitz, I.S. (July 7, 2014). Is it time to rebrand Canadian TV. <i>playbackonline.ca<\/i> http:\/\/playbackonline.ca\/2014\/07\/07\/oped-is-it-time-to-re-brand-canadian-tv\/%23ixzz36oOrqGOX<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Government of Canada, CRTC (September 2014). Agenda: Hearing 8 September 2014, Gatineau, Quebec. https:\/\/crtc.gc.ca\/Broadcast\/eng\/HEARINGS\/2014\/ag08_09.htm?_ga=2.73238035.1286938753.1610379155-680731202.1605035722<\/p>\r\n<\/li>\r\n \t<li>Berkowitz, I. S. (September 9, 2014)\u00a0 Can Con to Can Brand \u2013 Let\u2019s pivot our goal from domestic supply to global demand. (Written version of live presentation at CRTC hearing, Let\u2019s talk TV). <a href=\"https:\/\/services.crtc.gc.ca\/pub\/ListeInterventionList\/Documents.aspx?ID=218358&amp;Lang=e\">https:\/\/services.crtc.gc.ca\/pub\/ListeInterventionList\/Documents.aspx?ID=218358&amp;Lang= <\/a><\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Government of Canada (2014). CRTC, related documents. Berkowitz, I. (October 3, 2014). Future Proofing Canada\u2019s Media System\u2014From Investment to Return on Investment: Global Applause Is not Just Good Business\u2014It\u2019s Great Culture https:\/\/services.crtc.gc.ca\/pub\/ListeInterventionList\/Documents.aspx?ID=218358&amp;en=2014-190&amp;dt=f&amp;lang=e&amp;S=C&amp;PA=b&amp;PT=nc&amp;PST=a<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Berkowitz, I.S. (September 15, 2014). Canadians want good programs, not 300 channels. The Globe and Mail. https:\/\/www.theglobeandmail.com\/opinion\/canadians-want-good-programs-not-300-channels\/article20600050\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CRTC. (2014). Public Process 2014-190. https:\/\/services.crtc.gc.ca\/pub\/ListeInterventionList\/Default-Defaut.aspx?en=2014-190&amp;dt=f&amp;lang=e&amp;S=C&amp;PA=b&amp;PT=nc&amp;PST=a<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CRTC (March 26, 2015). Let\u2019s Talk TV decisions at a glance. http:\/\/www.crtc.gc.ca\/eng\/com300\/infograph1.htm<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CRTC (January 29, 2015). Broadcasting Regulatory Policy 2015-25: Measures to address issues related to simultaneous substitution. http:\/\/www.crtc.gc.ca\/eng\/archive\/2015\/2015-24.htm<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Rogers Communications Inc. (October 8, 2014). Intervention 2345, Appendix C by Armstrong Consulting: The economic value of simultaneous signal substitution for English-language private television broadcasters. https:\/\/services.crtc.gc.ca\/pub\/ListeInterventionList\/Default-Defaut.aspx?en=2014-190&amp;dt=i&amp;S=C&amp;PA=b&amp;PT=nc&amp;PST=a&amp;lang=e<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CRTC (March 12, 2015). Jean-Pierre Blais to the Canadian Club of Ottawa on <i>Let\u2019s Talk TV<\/i> and the future of content made by Canadians (Press release). Today\u2019s Decision section, para. 3. http:\/\/news.gc.ca\/web\/article-en.do?nid=947239<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CRTC (March 12, 2015). Jean-Pierre Blais to the Canadian Club of Ottawa on <i>Let\u2019s Talk TV <\/i>and the future of content made by Canadians (Press release). Today\u2019s Decision section, para. 3. http:\/\/news.gc.ca\/web\/article-en.do?nid=947239<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CRTC (March 12, 2015). Broadcasting Regulatory Policy 2015-86.The way forward - Creating compelling and diverse Canadian programming. http:\/\/crtc.gc.ca\/eng\/archive2015\/2015-86.htm<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Berkowitz, I.S. (March 13, 2015). CRTC gets it: Time to make hits, not shows. <i>The Globe and Mail Report on Business<\/i> http:\/\/www.theglobeandmail.com\/globe-debate\/crtc-gets-it-time-to-make-hits-not-shows\/article23449134\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Canadian Radio-television and Telecommunications Commission (CRTC) (March 26, 2015). Let\u2019s Talk TV decisions at a glance. https:\/\/crtc.gc.ca\/eng\/television\/services\/idecisions.htm<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Porter, M. E. (1990). The competitive advantage of nations.. New York, NY: Free Press. pp. 30 and 169-171<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Jackson, E. (June 14, 2016). Netflix lands over a million new subscribers in less than a year. National Post. http:\/\/www.nationalpost.com\/netflix+lands+over+million+canadian+subscribers+less+than+year+report\/11986099\/story.html<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Statista. Number of Netflix subscribers in Canada 2017-2023. Subscribers continued to grow to over 7M in 2019 and are expected to reach 8M in 2023, amidst competition from other online services such as Disney Plus and Amazon Prime Video. https:\/\/www-statista-com.ezproxy.lib.ryerson.ca\/statistics\/685141\/canada-netflix-subscribers-count\/. By comparison, cable subscriptions to English speaking households from 2010-2017 dropped lightly, about 7500 to 7,000: Television cable subscription in Canada 2010-2017 by provider. https:\/\/www-statista-com.ezproxy.lib.ryerson.ca\/statistics\/431299\/tv-subscribers-canada-corporation\/ \\<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>The Power of TV Advertising in Canada. (2019). ThinkTV. https:\/\/thinktv.ca\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Canadian Content in a Digital World: https:\/\/www.canada.ca\/en\/services\/culture\/consultations.html &amp; Creative Canada Policy Framework: https:\/\/www.canada.ca\/en\/canadian-heritage\/campaigns\/creative-canada\/framework.html<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Government of Canada (August 26, 2016). Thank you to those who participated\u2026 Canadian content in a digital world. https:\/\/www.canadiancontentconsultations.ca\/home<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Government of Canada (September 2016). Canadian content in a digital world. Department of Canadian Heritage. https:\/\/s3.ca-central-1.amazonaws.com\/ehq-production-canada\/documents\/attachments\/e328d01aaa5d8b25b5b2e769f0f3ccb59f63893e\/000\/004\/022\/original\/PCH-DigiCanCon-Consultation_Paper.pdf?1474391164<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Reid, R. (June 14, 2017). Banff 17: JP Blais\u2019 last stand. <i>Playback<\/i>. https:\/\/playbackonline.ca\/2017\/06\/14\/banff-17-jp-blais-last-stand\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Ismail. S., Malone, M., and Van Geest, Y. (2014, 2021)<i> Exponential Organizations: Why new organizations are ten times better, faster, and cheaper than yours and what to do about it<\/i>. Diversion Books: New York. (2021 edition forthcoming)<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Berkowitz, I. S. (December 1, 2016). TV is about to be disrupted and the CRTC knows it. <i>The Globe and Mail<\/i> http:\/\/www.theglobeandmail.com\/opinion\/cable-tv-is-about-to-be-disrupted-and-the-crtc-knows-it\/article33121340\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Anderson, C. (2006). <i>The long tail: Why the future of business is selling less of more<\/i>. New York: Hyperion.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Government of Canada. Canadian Heritage. https:\/\/www.canada.ca\/en\/canadian-heritage\/services\/exporting-creative-industries\/creative-export-strategy.html<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Government of Canada. Canadian Heritage. https:\/\/www.canada.ca\/en\/canadian-heritage\/services\/funding\/creative-export-canada.html<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Berkowitz, I.S. (October 3, 2017). Five reasons to like Minister Joly\u2019s Netflix deal. <i>The Globe and Mail<\/i>. https:\/\/www.theglobeandmail.com\/report-on-business\/rob-commentary\/five-reasons-to-like-heritage-minister-melanie-jolys-netflix-deal\/article36472751\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Berkowitz, I.S. (November 3, 2017). Column: Is it time for a new points system? playbackonline.ca. https:\/\/playbackonline.ca\/2017\/11\/03\/column-is-it-time-for-a-new-points-system\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Berkowitz, I.S. (December 7, 2017). Hey Industry: Let\u2019s be clear about the Netflix tax. https:\/\/playbackonline.ca\/2017\/12\/07\/column-hey-industry-lets-be-clear-about-the-netflix-tax\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Wong, T. (November 8, 2019). Quebec\u2019s Netflix tax was a big success -- will Ottawa follow with one of its own? https:\/\/www.thestar.com\/news\/canada\/2019\/11\/08\/quebec-was-the-first-to-impose-a-sales-tax-on-netflix-will-the-rest-of-canada-follow.html<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Curry, B. (January 22, 2019). Saskatchewan joins Quebec in requiring Netflix to collect sales tax. https:\/\/www.theglobeandmail.com\/politics\/article-saskatchewan-joins-quebec-in-requiring-netflix-to-collect-sales-tax\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CRTC (October 12, 2017).Broadcasting Notice of Consultation 217-359. crtc.ca https:\/\/crtc.gc.ca\/eng\/archive\/2017\/2017-359.htm<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CRTC (December, 2019). Reference document: Consultation of the future of program distribution in Canada. crtc.ca. https:\/\/crtc.gc.ca\/eng\/television\/program\/s15r.htm7<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CRTC (May 31, 2018). Harnessing Change: The future of program distribution in Canada. crtc.ca https:\/\/crtc.gc.ca\/eng\/publications\/s15\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Berkowitz, I.S. (July 5, 2018). We need to talk about Canadian drama. <i>playbackonline.ca<\/i>. https:\/\/playbackonline.ca\/2018\/07\/05\/column-we-need-to-talk-about-canadian-drama\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CRTC (December 2017). Consultation on the future of program distribution in Canada: Reference Document.# https:\/\/crtc.gc.ca\/eng\/television\/program\/s15r.htm<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CRTC (2018). Harnessing change: The future of program distribution in Canada. https:\/\/crtc.gc.ca\/eng\/publications\/s15\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Houpt, S. and Krashinsky Robertson, S. (January 31, 2019). CBC head under fire after comparing Netflix to the British Raj, warns of \u2018cultural imperialism.\u201d <i>The Globe and Mail<\/i>.<span class=\"Apple-converted-space\">\u00a0 <\/span>https:\/\/www.theglobeandmail.com\/arts\/article-cbc-head-warns-netflix-poses-cultural-threat-to-canada\/Pinto, J. (February 1, 2019). Media leaders, Netflix spar on Prime Time stage. playbackonlin<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Geist, M. (January 31, 2019). The real over-the-top: CBC President likens Netfl to cultural imperialism such as the British in India or French in Africa. Michael Geist ca https:\/\/www.michaelgeist.ca\/2019\/01\/the-real-over-the-top-cbc-president-likens-netflix-to-cultural-imperialism-such-as-the-british-in-india-or-french-in-africa\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Government of Canada (January 14, 2019). Broadcasting and Telecommunications Legislative Review Panel: Biographies.<span class=\"Apple-converted-space\">\u00a0 <\/span>https:\/\/www.ic.gc.ca\/eic\/site\/110.nsf\/eng\/00002.html<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Government of Canada (September 25, 2018). Broadcasting and telecommunications panel launches consultations: News release. https:\/\/www.ic.gc.ca\/eic\/site\/110.nsf\/eng\/00004.html<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Government of Canada (June 26,<span class=\"Apple-converted-space\">\u00a0 <\/span>2019) What we heard.<span class=\"Apple-converted-space\">\u00a0 <\/span>https:\/\/www.canada.ca\/en\/innovation-science-economic-development\/news\/2019\/06\/broadcasting-and-telecommunications-panel-releases-what-we-heard-report.htm<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>The tweet can be found here: Geist, M. (June 27m 2019). What is the point of the Broadcast and Telecom Review if the government has already decided what it intends to do. <em>michaelgeist.ca<\/em> https:\/\/www.michaelgeist.ca\/2019\/06\/pointofbtlr\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span><em>The Wire Report<\/em> (June 26, 2019). Rodriguez promises CanCon rules for \u2018web giants.\u2019 https:\/\/www.thewirereport.ca\/2019\/06\/26\/rodriguez-promises-cancon-discoverability-rules-for-web-giants<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Berkowitz, I.S. (October 24, 2019). Bordering the U.S.: Win or lose for Canadian media? <i>playbackonline.ca.<\/i> https:\/\/playbackonline.ca\/2019\/10\/24\/bordering-the-u-s-win-or-lose-for-canadian-media\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Pinto, J. (November 21, 2019). Steven Guilbeaut named Minister of Canadian Heritage. <i>playbackonline.ca<\/i>. https:\/\/playbackonline.ca\/2019\/11\/21\/steven-guilbeault-named-minister-of-canadian-heritage\/#ixzz6LJLsBgk1<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Berkowitz, I.S. (January 13,, 2020).Follow the Money: How Canadian creators are rocking it on YouTube. Playback. https:\/\/playbackonline.ca\/2020\/01\/23\/follow-the-money-how-canadian-creators-are-rocking-it-on-youtube\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Berkowitz, I.S. (January 27, 2020). Unless we drop our antiquated nationalism, we\u2019ll have nothing. Playback. https:\/\/cartt.ca\/analysis-unless-we-drop-our-antiquated-nationalism-well-have-nothing\/ Cartt.ca<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Berkowitz, I. (January 27, 2020). Analysis: Unless we drop our antiquated nationalism, we\u2019ll have nothing. Cartt.ca.<span class=\"Apple-converted-space\">\u00a0 <\/span>https:\/\/cartt.ca\/?s=antiquated+nationalism+berkowitz<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Government of Canada. (January 29, 2020). Canada\u2019s communication future: Time to act. http:\/\/www.ic.gc.ca\/eic\/site\/110.nsf\/eng\/00012.html<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Some news on the <i>Yale Report<\/i>:\r\nGeist, M. (January 30, 2020). The CRTC knows best: Panel report recommends costly overhaul of Canadian communication law to regulate Internet sites and services worldwide. <i>michaelgeist.ca<\/i> http:\/\/www.michaelgeist.ca\/2020\/01\/the-crtc-knows-best\/\r\nGlasner, E. (January 29, 2020) cbc.ca https:\/\/www.cbc.ca\/news\/entertainment\/broadcasting-telecommunications-report-netflix-cbc-1.5443478\r\nKay, J. (January 31, 2020). The federal government\u2019s unsettling communications power grab. <i>The National Post<\/i>. https:\/\/nationalpost.com\/opinion\/jonathan-kay-the-federal-governments-unsettling-communications-power-grab\r\nMalik, A. (January 29, 2020). BTLR panel opposes Netflix tax but wants to ensure contribution to CanCon. <i>MobileSyrup.com<\/i> https:\/\/mobilesyrup.com\/2020\/01\/29\/btlr-panel-opposes-netflix-tax-but-wants-to-ensure-contribution-to-cancon-canada\/\r\nMenzies, P (January 30, 2020). <i>The Globe and Mail<\/i>. The CRTC report constitutes a stunning unjustified power grab. https:\/\/www.theglobeandmail.com\/business\/commentary\/article-the-crtc-report-constitutes-a-stunning-unjustified-power-grab\/\r\nPosadzky, A. (January 30, 2020). Panel recommends sweeping changes to Canada\u2019s media and communications. <i>The Globe and Mail<\/i>. https:\/\/www.theglobeandmail.com\/business\/article-panel-recommends-sweeping-changes-to-canadas-media-and-communications\/\r\nVlessing, E. (January 29, 2020). <i>Hollywood Reporter<\/i>. Netflix tax proposal rejected in Canada https:\/\/www.hollywoodreporter.com\/news\/netflix-tax-proposal-rejected-canada-1274629<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Menzies, P. (January 30, 2020). Broadcasting report constitutes a stunning overreach. <i>The Globe and Mail<\/i>. https:\/\/www.theglobeandmail.com\/business\/commentary\/article-the-crtc-report-constitutes-a-stunning-unjustified-power-grab\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Vlessing, E. (January 29, 2020). Netflix tax proposal rejected in Canada.<i> Hollywood Reporter.<\/i> https:\/\/www.hollywoodreporter.com\/news\/netflix-tax-proposal-rejected-canada-1274629<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Berkowitz, I. S (February 27, 2020). Yale Report a month on: The good, the bad and a quid pro quo. <i>playbackonline.ca<\/i>.https:\/\/playbackonline.ca\/2020\/02\/27\/yale-report-a-month-on-the-good-the-bad-and-a-quid-pro-q<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CanLII connects (June 20, 2014). Supreme Court of Canada: ISPs not subject to federal Broadcasting Act https:\/\/canliiconnects.org\/en\/commentaries\/27686<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CMF (September 17, 2020). CMF annonces 19M in Covid-19 Emergency Support fund for film and television productions. https:\/\/cmf-fmc.ca\/en-ca\/programs-deadlines\/programs\/covid-19-emergency-relief-funds-interactive-digit<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Ahearn, V. and Deschamps. T. Coronavirus: Canada creates 50M fund for film, TV productions without insurance. The Canadian Press. https:\/\/globalnews.ca\/news\/7360446\/coronavirus-productions-tv-insurance\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Banff World Media Festival. Netflix. https:\/\/dov.banffmediafestival.playbackonline.ca\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Pinto, J. (November 3, 2020). Minister Steven Guilbeault proposes bill to regulate OTT\u2019s, grant more power to CRTC. Playback. https:\/\/playbackonline.ca\/2020\/11\/03\/minister-steven-guilbeault-proposes-bill-to-regulate-otts-grant-more-power-to-crtc\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Geist, M. (November 3, 2020). The Government\u2019s Internet Regulation Bill: Why Bill C-10 Will Mean a CRTC-Approved Netflix Service, Reduced Consumer Choice, and Less Investment in Canadian Culture.<span class=\"Apple-converted-space\">\u00a0 <\/span><i>Michael Geist.ca<\/i> https:\/\/www.michaelgeist.ca\/2020\/11\/the-governments-internet-regulation-bill-why-bill-c-10-will-mean-a-crtc-approved-netflix-service-reduced-consumer-choice-and-less-investment-in-canadian-culture\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Berkowitz, I.S. (December 7, 2016). Hey Industry: Let\u2019s be clear about the Netflix tax. http:\/\/<i>playbackonline.ca<\/i>\/2017\/12\/07\/column-hey-industry-lets-be-clear-about-the-netflix-tax\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Snider, M. (February 16, 2021). Americans are united on one thing: We have become a nation of streamers euring coronavirus pandemic. <i>USA Today.<\/i> https:\/\/www.usatoday.com\/story\/tech\/2021\/02\/16\/netflix-amazon-streaming-video-disney-hulu-hbo-max-peacock\/6759020002\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Malyk., L. (February 11, 2021). Netflix to make new home in Canada. Playback. https:\/\/playbackonline.ca\/2021\/02\/11\/netflix-to-make-a-new-home-in-canada\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Quote<span class=\"Apple-converted-space\">\u00a0 <\/span>by Patricia Elliott, then Consul and Senior Trade Commissioner of Los Angeles Office of the Canada Trade Commissioner Service (TCS) in Berkowitz, I. (August 29, 2017). Los Angeles Trade Commission: \u201cto sell to a global market, create for a global market.\u201d CMF Trends. https:\/\/trends.cmf-fmc.ca\/los-angeles-trade-commissioner-to-sell-to-a-global-market-create-for-a-global-market\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Scholarly consensus is this is a paraphrase of a June 1946 statement by Einstein saying a new type of thinking is essential if mankind is to survive and move to higher levels. In<span class=\"Apple-converted-space\">\u00a0 <\/span>\u201cAtomic Education Urged by Einstein,\u201d <i>The New York Times<\/i> (May 25, 1946).<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>All the world\u2019s a stage: Growing Britain\u2019s creative industries, pps. 6-8<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Carroll, L. (under the pseudonym, Charles Dodgson). (1865)<span class=\"Apple-converted-space\">\u00a0 <\/span><i>Alice\u2019s Adventures in Wonderland<\/i> (commonly shortened to Alice in Wonderland): Macmillan: U.K.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Levitt, T. (2004). Best of HBR 1960, Marketing myopia.<i> Harvard Business Review<\/i>, 82(7), 8. and Christensen, C., &amp; Cook, S. Taddy Hall., (December 2005).Marketing Malpractice.. <i>Harvard Business Review<\/i>.<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Palao, F., Lapierre, M. and Ismail, S. (2019). <i>Exponential Transformation: Evolve your organization (and change the world) with a 10-week ExO sprint<\/i>.<span class=\"Apple-converted-space\">\u00a0 <\/span>NJ: John Wilely and Sons<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Bryar, C. and Carr. B. (2021). <i>Working backwards: Insights, stories and secrets from inside Amazon.<\/i> St. Martin\u2019s Press.<span class=\"Apple-converted-space\">\u00a0 <\/span>https:\/\/www.amazon.com\/Working-Backwards-Insights-Stories-Secrets\/dp\/1250267595<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Government of Canada (August 10, 2009). <i>Canadian Radio-television and Telecommunications Commission<\/i>. The MAPL system: Defining a Canadian song.<span class=\"Apple-converted-space\">\u00a0 <\/span>https:\/\/crtc.gc.ca\/eng\/info_sht\/r1.htm<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Townsend, K. (December 8, 2020). Schitt\u2019s Creek Emmy win fuels international selling spree. <i>Playback<\/i>. https:\/\/playbackonline.ca\/2020\/12\/08\/schitts-creek-emmy-win-fuels-international-selling-spree\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Ismail. S., Malone, M., and Van Geest, Y. (2014, 2021) <i>Exponential Organizations: Why new organizations are ten times better, faster, and cheaper than yours and what to do about it.<\/i> Diversion Books: New York. (2021 edition forthcoming)<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Vlessing, E. (February 5, 2021). CMPA Prime Time: There\u2019s a big hole in Canadian TV audience data collection. Cartt.ca. https:\/\/cartt.ca\/cmpa-prime-time-theres-a-big-hole-in-canadian-tv-audience-data-collection\/?mc_cid=30505b3e67&amp;mc_eid=803730e12b<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Interbrand (2021). Best global brands 2020. https:\/\/interbrand.com\/best-brands\/reference and Kantar (2021) Global: Discover the BrandZ top most valuable global brands. https:\/\/www.kantar.com\/campaigns\/brandz\/global\/<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Debnath, N. (2015, June 13). Downton Abbey to be given special BAFTA award for flying the flag for British drama. <i>Express.<\/i><span class=\"Apple-converted-space\">\u00a0 <\/span>para.4. http:\/\/www.express.co.uk\/entertainment\/tv-radio\/584231\/Downton-Abbey-Bafta-award-Hugh-Bonneville-Julian-Fellowes<\/p>\r\n<\/li>\r\n \t<li>Reichheld, T.F. (2003). The one number you need to grow. Harvard Business Review. <a href=\"https:\/\/hbr.org\/2003\/12\/the-one-number-you-need-to-grow\">https:\/\/hbr.org\/2003\/12\/the-one-number-you-need-to-grow\u00a0<\/a><\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Customer Guru (2021). Netflix Net Promoter Score 2021 benchmarks.<span class=\"Apple-converted-space\">\u00a0 <\/span>https:\/\/customer.guru\/net-promoter-score\/netflix<\/p>\r\n<\/li>\r\n \t<li class=\"p2\">\r\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Subramaniam, V. (January 4, 2021), \u2018We have come six years in six months and there\u2019s no going back:\u2019 Eight VCs on what to expect from venture capital in 2021. <i>The Logic<\/i> https:\/\/thelogic.co\/news\/special-report\/we-have-come-six-years-in-six-months-and-theres-no-going-back-eight-vcs-on-what-to-expect-from-venture-capital-in-2021\/?utm_source=The+Logic+Master+List&amp;utm_campaign=f2af06aac2-SAMPLE_We_have_come_six_years_in_six_months_COPY_0&amp;utm_medium=email&amp;utm_term=0_325d5d3b52-f2af06aac2-275682397.<\/p>\r\n<\/li>\r\n<\/ol>","rendered":"<ol class=\"super\">\n<li class=\"p2\">\n<p class=\"hanging-indent\">Berkowitz, I. (January 27, 2020) Unless we drop our antiquated nationalism, we\u2019ll have nothing. https:\/\/cartt.ca\/analysis-unless-we-drop-our-antiquated-nationalism-well-have-nothing\/.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">The real estate punchline is \u201clocation, location, location.\u201d<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Schneider, M. (September 20, 2020). Emmy awards 2020: HBO dominates, \u2018Watchmen\u2019 triumphs, \u2018Schitt\u2019s Creek\u2019 makes history. Variety. https:\/\/variety.com\/2020\/tv\/news\/emmys-2020-watchmen-jimmy-kimmel-1234776626\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">My words as quoted in CBC News (October 11, 2017). CBC News: Netflix launches campaign to set record straight about 500 million dollar investment. http:\/\/www.cbc.ca\/beta\/news\/business\/netflix-canada-spending-1.434727<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Berkowitz, I.S. (June 10, 2015) In TV\u2019s Golden Age, viewers are already on line. Industry must follow. The Globe and Mail Report on Business. http:\/\/www.theglobeandmail.com\/report-on-business\/rob-commentary\/in-tvs-new-golden-age-consumers-have-the-gold-we-should-follow-their-lead\/article24879478\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Ismail, S. (2016). How do we fix civilization? Tedx. https:\/\/www.youtube.com\/watch?v=mV0oKVOIGG4<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">CRTC (December 10, 2020). Communications Monitoring Report 2020. https:\/\/crtc.gc.ca\/eng\/publications\/reports\/policyMonitoring\/2020\/cmr3.htm<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">CMF 2020). Annual Report 2019-2020. p.31. https:\/\/www.cmf-fmc.ca\/CMF\/media\/documents\/CMF-Annual-Report-2019-20-EN.pdf?ext=.pdf<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">CMPA (April 2, 2020). Profile 2019: Economic report on the screen-based media production industry in Canada. Summary data, p. 4. Exhibit 2-5, p. 25, Canadian English-language TV production.\u00a0 https:\/\/cmpa.ca\/wp-content\/uploads\/2020\/04\/CMPA_2019_E_FINAL.pdf<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">CMPA (2020) Profile 2019:Economic Report on the Screen Based Media Production Industry in Canada. https:\/\/cmpa.ca\/wp-content\/uploads\/2020\/04\/CMPA_2019_E_FINAL.pdf<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">CRTC (March 12, 2015). Broadcasting Regulatory Policy CRTC 2015-86. Government of Canada. para. 28. https:\/\/crtc.gc.ca\/eng\/archive\/2015\/2015-86.htm<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Apprenticeship Program (2000-2021). UNIFOR NABET-700-M. http:\/\/www.nabet700.com\/applicants\/apprenticeship_program\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Canadian Radio-television and Telecommunications Commission (December 12, 2020). Telecommunications Monitoring Report 2020. https:\/\/crtc.gc.ca\/eng\/publications\/reports\/policyMonitoring\/2020\/cmr3.htm#a1<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">The Power of TV Advertising in Canada. (2019). ThinkTV. https:\/\/thinktv.ca\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Gitlin, T. (2000). Inside prime time. Berkeley, CA: University of California Press.p. 31<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Reca, A. A. (2006). Issues in media product management. In A. B. Albarran, S. M. Chan-Olmstead, &amp; M. O. Wirth (Eds.), Handbook of media management and economics (pp. 181-201). Mahwah, NJ: Lawrence Erlbaum.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Berkowitz, I.S. (February 27, 2020). Yale report a month on: The good, the bad and a quid pro quo. Playback. https:\/\/playbackonline.ca\/2020\/02\/27\/yale-report-a-month-on-the-good-the-bad-and-a-quid-pro-quo\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">CRTC (March 12, 2015). Broadcasting Regulatory Policy CRTC 2015-86. Government of Canada. para. 28. https:\/\/crtc.gc.ca\/eng\/archive\/2015\/2015-86.htm<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">CMPA (April 2, 2020). Profile 2019: Economic report on the screen-based media production industry in Canada. p. 38. https:\/\/cmpa.ca\/wp-content\/uploads\/2020\/04\/CMPA_2019_E_FINAL.pdf<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Standing Committee on Canadian Heritage. (2003). Our cultural sovereignty: The second century of Canadian broadcasting. p. 136. http:\/\/www.parl.gc.ca\/HousePublications\/Publication.aspx?DocId=1032284<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">CRTC defined \u201cpeak viewing hours\u201d as 7-11pm rather than traditionally defining prime time as 8-11 pm to help Canadian broadcasters achieve the required 50% Canadian content quota by including news programs.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">CMF (2020). Annual Report 2019-2020. p.31. https:\/\/www.cmf-fmc.ca\/CMF\/media\/documents\/CMF-Annual-Report-2019-20-EN.pdf?ext=.pdf<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">CMPA (April 2, 2020). Profile 2019: Economic report on the screen-based media production industry in Canada. p. 79. https:\/\/cmpa.ca\/wp-content\/uploads\/2020\/04\/CMPA_2019_E_FINAL.pdf<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">CMF (2016). National fiction on the small screen: Study on the performance of local and international drama series in nine small television markets CMF-AQPM-SODEC<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">CMF (2020). Annual Report 2019-2020. p.79 https:\/\/www.cmf-fmc.ca\/CMF\/media\/documents\/CMF-Annual-Report-2019-20-EN.pdf?ext=.pdf<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Berkowitz, I.S. (2016). Domestic supply to global demand: Reframing the challenge of English-language Canadian TV drama. PhD Dissertation. http:\/\/digital.library.ryerson.ca\/islandora\/object\/R<span style=\"text-align: initial;text-indent: -1em;font-size: 1em\">ULA%3A4885\/datastream\/OBJ\/download\/Domestic_supply_to_global_demand__reframing_the_<\/span>challenge_of_Canadian_English-language_television_drama.pdf<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Kissell, R. ( January 12, 2015). Golden Globes ratings on NBC down vs. last year, still strong. Variety.http:\/\/variety.com\/2015\/data\/ratings\/golden-globes-ratings-on-nbc-down-vs-last-year-still-strong-1201400878\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Del Vecchio (September 21, 2020). The 2020 Emmys TV ratings cracked \u2014 and so did its relevance. Forbes.https:\/\/www.forbes.com\/sites\/genedelvecchio\/2020\/09\/21\/the-2020-emmys-tv-ratings-crashedand-so-did-its-relevance\/#a3accf16a2e4<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">My written presentation is at https:\/\/services.crtc.gc.ca\/pub\/ListeInterventionList\/Documents.aspx?ID=218358&amp;Lang=e. The video file is at http:\/\/www.cpac.ca\/en\/digital-archives\/?search=Let%27s+Talk+TV<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Berkowitz, I. S. (March 13, 2015). CRTC gets it: time to make hits, not shows. The Globe and Mail. https:\/\/www.theglobeandmail.com\/opinion\/crtc-gets-it-time-to-make-hits-not-shows\/article23449134\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">CBC News (October 10, 2017). Netflix launches campaign to set record straight about $500M Canadian investment.https:\/\/www.cbc.ca\/news\/business\/netflix-canada-spending-1.4347276<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Berkowitz, I.S. (November 3, 2017). Column: Is it time for a new points system? Playback. https:\/\/playbackonline.ca\/2017\/11\/03\/column-is-it-time-for-a-new-points-system\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Palao, F., Lapierre, M. and Ismail, S. (2019). Exponential Transformation: Evolve your organization (and change the world) with a 10-week ExO sprint. NJ: John Wilely and Sons.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">McQueen, T. (2003). Dramatic choices: A report on Canadian English-language drama. Ottawa, ON: Canadian Radio-television and Telecommunications Commission. Retrieved from http:\/\/www.crtc.gc.ca\/eng\/Library\/Detail\/catalog5894 p. 2<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Berkowitz, I.S, Davis, C. H. and Smith, H. (May 22, 2019). Watchtime Canada: How YouTube connects creators and consumers. https:\/\/sites.google.com\/view\/watchtime-2019<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Ismail. S., Malone, M., and Van Geest, Y. (2014, 2021) <i>Exponential Organizations: Why new organizations are ten times better, faster, and cheaper than yours and what to do about it.<\/i> Diversion Books: New York. (2021 edition forthcoming)<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">based on a famous April 19, 1965 article \u201c The Future of Integrated Circuits\u201d published in Electronics Magazine on April 19, 1965. by Gordon Moore of CalTech, Cramming more components onto integrated circuits originally published in In 1968, Moore founded Intel Corporation in 1968.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Berkowitz, I.S. (2016). Ten media takeaways from Silicon Valley. <i>CMF Trends<\/i>. http:\/\/devtrends.cmf-fmc.ca\/ten-media-takeaways-from-silicon-valley\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">O\u2019Brien, G. (April 15, 2015). NAB 2015: Content discoverability to be the top challenge for the TV biz, \u201cand there\u2019s no number two.\u201d Cartt.ca https:\/\/cartt.ca\/nab-2015-content-discoverability-to-be-the-top-challenge-for-the-tv-biz-and-theres-no-number-two\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Statista (n.d.) Number of Netflix paying subscribers from 2011to 2019 by type. https:\/\/www.statista.com\/statistics\/258321\/number-of-netflix-subscribers-by-type\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Erlichman, J. (September 22, 2020).10 years on: How Netflix in Canada has evolved a decade later. https:\/\/www.google.com\/url?q=https:\/\/www.bnnbloomberg.ca\/10-years-on-how-netflix-in-canada-has-evolved-a-decade-later-1.1497551&amp;sa=D&amp;ust=1609775298236000&amp;usg=AOvVaw2jaxgQE3ntcBchgMI0aH35<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Standing Committee on Canadian Heritage (2003). <i>Our cultural sovereignty: The second century of Canadian broadcasting.<\/i> pp.5, 301. http:\/\/www.parl.gc.ca\/HousePublications\/Publication.aspx?DocId=1032284<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Canadian Radio-television and Telecommunications Commission (December 12, 2020). Telecommunications Monitoring Report 2020. https:\/\/crtc.gc.ca\/eng\/publications\/reports\/policyMonitoring\/2020\/cmr3.htm#a1<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Standing Committee on Canadian Heritage. (2003). Our cultural sovereignty: The second century of Canadian broadcasting. p. 8. http:\/\/www.parl.gc.ca\/HousePublications\/Publication.aspx?DocId=1032284<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Statista (n.d.) Penetration rate of Netflix subscribers 2012-2018 bt subscriber\u2019s language. statista.com https:\/\/www-statista-com.ezproxy.lib.ryerson.ca\/statistics\/473746\/canada-netflix-subscriber-reach-language\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Pinto, J. (September 24, 2020). Throne Speech reaffirms government plans to regulate digital platforms. Playback. https:\/\/playbackonline.ca\/2020\/09\/24\/throne-speech-reaffirms-government-plan-to-regulate-digital-platforms\/?utm_source=newsletter&amp;utm_medium=email&amp;utm_campaign=throne-speech-reaffirms-government-plan-to-regulate-digital-platforms&amp;_u=oCDb6C3h63A%3d<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Curry, B. and Dickson, J. (November 3, 2020). Broadcasting bill targets online streaming services. The Globe and Mail. https:\/\/www.theglobeandmail.com\/politics\/article-ottawa-says-broadcasting-act-changes-will-raise-over-800-million-from\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Above the line is a throwback to the printed version of a production budget where a line was drawn under the key elements, including lead writer, producer(s) and sometimes director (more typically in feature length content). Below the line costs detail the manufacturing crew that won\u2019t be hired until these key elements are approved in the development process. While a budget can span 20-100s of pages, a few \u201cabove the line\u201d elements take up less than half of the first page.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">CRTC (August 25, 2015). FInancial summaries for broadcasting sector. Government of Canada. https:\/\/open.canada.ca\/data\/en\/dataset\/853acdd6-b3cc-4957-8447-c885669a9dad<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Berkowitz, I. S. (June 2016). <i>Domestic supply to Global demand: reframing the challenge of Canadian English-language Canadian television drama<\/i>. PhD Dissertation. http:\/\/digital.library.ryerson.ca\/islandora\/object\/RULA%3A4885\/datastream\/OBJ\/download\/Domestic_supply_to_global_demand__reframing_the_challenge_of_Canadian_English-language_television_drama.pdf<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Davis, C. H., &amp; Kaye, J. (2010a). \u201cIf it ain\u2019t on the page, it ain\u2019t on the stage\u201d: Screenwriting, national specificity and the English-Canadian feature film. Journal of Screenwriting, 2(1), 61-83. doi:10.1386\/josc.2.1.61_1<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">CRTC (March 12, 2015). Jean-Pierre Blais to the Canadian Club of Ottawa on Let\u2019s Talk TV and the future of content made by Canadians (Press release). http:\/\/news.gc.ca\/web\/article-en.do?nid=947239<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">MacDonald, G. (2007, February 24). A hand up in a tough town. <i>The Globe and Mail<\/i>. http:\/\/www.theglobeandmail.com\/arts\/a-hand-up-in-a-tough-town\/article4094117\/?page=al<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Royal Commission on National Development in the Arts, Letters, and Sciences. (1951). Report\u2014Royal Commission on National Development in the Arts, Letters, and Sciences, 1949-1951. Ottawa, ON: Edmond Cloutier, Printer to the King\u2019s Most Excellent Majesty. https:\/\/www.collectionscanada.gc.ca\/massey\/h5-400-e.html<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Standing Committee on Canadian Heritage. (2003). Our cultural sovereignty: The second century of Canadian broadcasting. p. 149 .http:\/\/www.parl.gc.ca\/HousePublications\/Publication.aspx?DocId=1032284<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">CRTC (March 12, 2015). Broadcasting Regulatory Policy 2015-86: The way forward\u2014Creating compelling and diverse Canadian programming. Para. 55. http:\/\/crtc.gc.ca\/eng\/archive2015\/2015-86.htm<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Today in Science History (1999-2020). Albert Einstein. <i>todayinsci.com<\/i> https:\/\/todayinsci.com\/E\/Einstein_Albert\/EinsteinAlbert-Theory-Quotations.htm. Wikipedia explores Occam&#8217;s razor (based on the 14th century philosopher, William Ockham) as the principle of a preference for simple explanations in philosophy and science.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Porter, M. E. (2008). <i>On competition\u2014Updated and expanded edition.<\/i> Boston, MA: Harvard Business School; Porter, M. E. (1990). The competitive advantage of nations. New York, NY: Free Press; Porter, M. E. (1998). <i>Competitive strategy: Techniques for analyzing industries and competitors.<\/i> New York, NY: The Free Press. (Original work published 1980).<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Christensen, C. (2000). <i>The Innovator\u2019s Dilemma<\/i>. Boston, MA: Harvard Business School Publishing; Christensen, C., Anthony, S., &amp; Roth, E. A. (2013). <i>Seeing what\u2019s next: Using the theories of innovation to predict industry change<\/i>. Boston, MA: Harvard Business School Publishing.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Slywotzky, A.J. (1996). <i>Value migration: How to think several moves ahead of the competition<\/i>. Boston, MA: Harvard Business School Press., p. 17<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">CMPA (April 2, 2020). <i>Profile 2019: Economic report on the screen-based media production industry in Canada<\/i>. p. 18. https:\/\/cmpa.ca\/wp-content\/uploads\/2020\/04\/CMPA_2019_E_FINAL.pdf<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">CRTC (August 25, 2020). FInancial summaries for broadcasting sector. <i>Government of Canada<\/i>. https:\/\/open.canada.ca\/data\/en\/dataset\/853acdd6-b3cc-4957-8447-c885669a9dad<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Sources include Elmer, G., &amp; Gasher, M. (Eds). (2005). <i>Contracting out Hollywood: Runaway productions and foreign location shooting<\/i>. Rowman &amp; Littlefield; , G., Davis C. H., Marchessault, J., &amp; McCullough, J. (Eds.). (2010). <i>Locating migrating media<\/i>. Lanham, MD: Lexington Books; Tinic, S. (2005). <i>On location: Canada\u2019s television industry in a global market.<\/i> Toronto, ON: University of Toronto Press; Zitzerman, D. (2014, January). Great White North. Update re: film and TV production in Canada. Los Angeles, CA. Goodmans LLP.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Canadian Forex. (2015, June 29). Yearly average exchange rate for currencies. Retrieved from http:\/\/www.canadianforex.ca\/forex-tools\/historical-rate-tools\/yearly-average-rates<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Vlessing, E. (October 16, 2020). City Hall is recruiting a private developer to build 500,000 square feet of stages and facilities on a chunk of land next to Pinewood Studios. https:\/\/www.hollywoodreporter.com\/index.php\/news\/giant-film-studio-development-planned-for-toronto<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">I have initiated 2 ideas to remedy this creative disconnect between Canada and Hollywood. Both got traction and the effort is ongoing.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">BBC: 10351 Santa Monica Blvd. ITV: 15303 Ventura Blvd. Australia Channel Seven: 10100 Santa Monica Blvd. Channel Nine: 6255 Sunset Blvd. Channel Ten: 3440 Motor Ave.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Porter, M. E. (1998, November). Clusters and the new economics of competition. <i>Harvard Business Review<\/i>, 77-90. https:\/\/hbr.org\/1998\/11\/clusters-and-the-new-economics-of-competition<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Berkowitz, I., Davis, C.H. and Smith, H. (May 22, 2019). Watchtime Canada:How YouTube connects creators and consumers. https:\/\/audiencelab.fcad.ryerson.ca\/wp-content\/uploads\/2019\/05\/YouTube-Full-Report-FINAL_V7_May21.pdf and https:\/\/sites.google.com\/view\/watchtime-2019<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Berkowitz, I.S., Davis, C.H., Smith, H. (May 22, 2019). Watchtime Canada: How YouTube connects creators and consumers. p.13. https:\/\/sites.google.com\/view\/watchtime-2019<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Menzies, P. (September 5, 2019) YouTube knocking down Canada\u2019s protective wall. https:\/\/troymedia.com\/?s=menzies+youtube2019 (July 3).<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Berkowitz, I. S. (July 6, 2015). Yanking the value chain: how to make global hits. Playback. http:\/\/playbackonline.ca\/2015\/07\/06\/yanking-the-value-chain-how-to-make-global-hits\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Berkowitz, I., Davis, C. H., Smith, H. (2019). Watchtime Canada: How YouTube connects creators and consumers. https:\/\/audiencelab.fcad.ryerson.ca\/wp-content\/uploads\/2019\/05\/YouTube-Full-Report-FINAL_V7_May21.pdf and https:\/\/sites.google.com\/view\/watchtime-2019<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Berkowitz, I., Davis, C. H., Smith, H. (2019). Watchtime Canada: How YouTube connects creators and consumers. Figure 2.22 Please note that on YouTube, an eligible creators is an audience-derived definition, requiring more than 1,000 subscribers and 4,000 hours of watch time within the previous 12 months. https:\/\/audiencelab.fcad.ryerson.ca\/wp-content\/uploads\/2019\/05\/YouTube-Full-Report-FINAL_V7_May21.pdf and https:\/\/sites.google.com\/view\/watchtime-2019<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Data as of December 2019, compiled by the author from youtube.com and socialblade.com.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Berkowitz, I., Davis, C. H., Smith, H. (2019). <i>Watchtime Canada: How YouTube connects creators and consumers<\/i>. https:\/\/audiencelab.fcad.ryerson.ca\/wp-content\/uploads\/2019\/05\/YouTube-Full-Report-FINAL_V7_May21.pdf and https:\/\/sites.google.com\/view\/watchtime-2019<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">Press, J. (August 29, 2019). Why Israeli TV Is Irresistible to American Producers: From Homeland to Euphoria to Sacha Baron Cohen\u2019s new Netflix series, American TV can\u2019t stop adapting inventive Israeli formats. Vanity Fair. https:\/\/www.vanityfair.com\/hollywood\/2019\/08\/why-israeli-tv-is-irresistible-to-american-producers<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Hale, M. (December 20, 2019). The 30 best international TV shows of the decade. <i>The New York Times<\/i>. https:\/\/www.nytimes.com\/2019\/12\/20\/arts\/television\/best-international-tv-shows.html<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Ahdollah, T. (January 30, 2020). \u2018We\u2019re not trying to export Hollywood:\u2019 Netflix\u2019s Ted Sarandos breaks down the new movie model. dot.LA https:\/\/dot.la\/ted-netflix-chief-content-officer-ted-sarandossarandos-netflix-upfront-summit-2644985040.html<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Canada Media Fund (August 10, 2016). National Fiction on the Small Screen. https:\/\/trends.cmf-fmc.ca\/wp-content\/uploads\/National_Fiction_on_the_Small_Screen_FINAL_2016-10-13.pdf<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>MDR-CMPA (August 31, 2016). <i>Exporting Canadian television globally: Trends, opportunities and future directions<\/i>. p. 28, 32. For Canada, CMF Annual Report, http:\/\/ar-ra15-16.cmf-fmc.ca\/audience\/sales_and_exports\/.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Creighton, V. (March 31, 2015). Driving the digital economy: The role of the Canada Media Fund. Economic Club of Canada.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CBI (August 2016). <i>All the world\u2019s a stage: Growing Britain\u2019s creative industries<\/i>. p. 12 http:\/\/www.cbi.org.uk\/cbi-prod\/assets\/File\/all-the-worlds-a-stage(1).pdfCBI defines itself as UK\u2019s most effective and influential business organisation representing 190,000 businesses that employ 7 million people, one-third of private sector.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CBI (October 2019). <i>Centre Stage: Keeping the UK\u2019s creative industries in the spotlight<\/i> https:\/\/www.cbi.org.uk\/media\/3857\/12527_creative-industries_hyperlinks.pdf.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CBI (October 2019). <i>Centre Stage: Keeping the UK\u2019s creative industries in the spotlight<\/i> https:\/\/www.cbi.org.uk\/media\/3857\/12527_creative-industries_hyperlinks.pdf.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Ritman, A and Szalai, G. (July 23, 2020). BBC\u2019s global audience reaches record in 2020. <i>Hollywood Reporter<\/i>. https:\/\/www.hollywoodreporter.com\/news\/bbc-support-uk-indie-production-sector-virus-crisis-1288661<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Ritman, A. and Szalai, G. (July 27, 2020). BritBox Streaming Service to Expand In Up to 25 Countries. <i>Hollywood Reporter<\/i>. https:\/\/www.hollywoodreporter.com\/news\/britbox-streaming-service-expand-up-25-countries-1304496<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Debnath, N. (2015, June 13). Downton Abbey to be given special BAFTA award for flying the flag for British drama. Express. para.4. http:\/\/www.express.co.uk\/entertainment\/tv-radio\/584231\/Downton-Abbey-Bafta-award-Hugh-Bonneville-Julian-Fellowes.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CBI (October 2019). Centre stage: Keeping the UK\u2019s creative industries in the spotlight. p. 5 https:\/\/www.cbi.org.uk\/media\/3857\/12527_creative-industries_hyperlinks.pdf<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Hale, M. (December 20, 2019). The 30 best international TV shows of the decade. <i>The New York Times<\/i>. https:\/\/www.nytimes.com\/2019\/12\/20\/arts\/television\/best-international-tv-shows.html<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>https:\/\/www.imdb.com\/list\/ls097504651\/?sort=moviemeter,asc&amp;st_dt=&amp;mode=detail&amp;page=1 as of August 2020<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Abend, L. (December 14, 2019). The world wants more Danish TV than Denmark can handle: The streaming boom has led to huge international demand for shows from this tiny country, but there aren\u2019t enough professionals to produce them. <i>The New York Times<\/i>. https:\/\/www.nytimes.com\/2019\/12\/14\/arts\/television\/denmark-netflix-labor-shortage.html<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Danish TV is sooo hot right now (ND) https:\/\/scandification.com\/best-danish-tv-series\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Abend, L. (December 14, 2019). The world wants more Danish TV than Denmark can handle: The streaming boom has led to huge international demand for shows from this tiny country, but there aren\u2019t enough professionals to produce them.<i>The New York Times<\/i>. https:\/\/www.nytimes.com\/2019\/12\/14\/arts\/television\/denmark-netflix-labor-shortage.html<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Gilbert, G. (May 12, 2012). How does Danish TV company DR keep churning out the hits? The Killing, Borgen, The Bridge&#8230;Gerard Gilbert goes inside the Danish TV hit factory. <i>The Independent. <\/i>https:\/\/www.independent.co.uk\/arts-entertainment\/tv\/features\/how-does-danish-tv-company-dr-keep-churning-out-the-hits-7728833.html<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Canadian Radio-television and Telecommunications Commission. (2004). Incentives for English-language Canadian television drama (Broadcasting Public Notice CRTC 2004-93). Retrieved from http:\/\/www.crtc.gc.ca\/eng\/archive\/2004\/pb2004-93.htm<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Gosselin, F. and Guarino, F. (2016) for Canada Media Fund. <i>National Fiction on the Small Screen: Study on the performance of local and international drama series in nine small televisual markets<\/i>. https:\/\/trends.cmf-fmc.ca\/wp-content\/uploads\/National_Fiction_on_the_Small_Screen_FINAL_2016-10-13.pdf<span class=\"Apple-tab-span\"> <\/span><\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Gilbert, G. (May 12, 2012). How does Danish TV company DR keep churning out the hits? The Killing, Borgen, The Bridge&#8230;Gerard Gilbert goes inside the Danish TV hit factory. <i>The Independent<\/i>. https:\/\/www.independent.co.uk\/arts-entertainment\/tv\/features\/how-does-danish-tv-company-dr-keep-churning-out-the-hits-7728833.htm<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Davis, C. H., Vladica, F., &amp; Berkowitz, I. (2008). Business capabilities of small entrepreneurial media firms: Independent production of children\u2019s television in Canada. <i>Journal of Media Business Studies,<\/i> 5(1), 9-39.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>TV Series, Denmark (Sorted by Popularity. Retrieved August 2020. https:\/\/www.imdb.com\/search\/title\/?title_type=tv_series&amp;countries=dk<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Ginsberg, M. (December 18, 2015). Why Tel Aviv is Hollywood\u2019s New Billion-Dollar Sin City. <i>Hollywood Reporter<\/i>.https:\/\/www.hollywoodreporter.com\/news\/tel-aviv-is-hollywoods-new-848528<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Roxborough, S. (ND) Why the world is watching Israeli TV series. dw.com. .https:\/\/www.dw.com\/en\/why-the-world-is-watching-israeli-tv-series\/a-4804954<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Press, J. (August 29, 2019). Why Israeli TV Is Irresistible to American Producers: From <i>Homeland<\/i> to <i>Euphoria<\/i> to Sacha Baron Cohen\u2019s new Netflix series, American TV can\u2019t stop adapting inventive Israeli formats. <i>Vanity Fair.<\/i> https:\/\/www.vanityfair.com\/hollywood\/2019\/08\/why-israeli-tv-is-irresistible-to-american-producers<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Beinart, P. (June 20, 2019).Unpacking the Immense Popularity of Shtisel The Israeli television show\u2019s deft combination of particularity and universality lies at the core of its appeal. <i>The Atlantic<\/i>. https:\/\/www.theatlantic.com\/entertainment\/archive\/2019\/06\/netflix-shtisel-israeli-tv-show-popularity\/591883\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Roxborough, S. (ND) Why the world is watching Israeli TV series. <i>dw.com<\/i>. https:\/\/www.dw.com\/en\/why-the-world-is-watching-israeli-tv-series\/a-48049546<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>White, P.Z. (June 13, 2019) Autism Drama \u2018The A Word\u2019 Set For U.S. Broadcast Remake As Israel\u2019s Keshet Doubles Down On U.S. Development. <i>Deadline<\/i>. https:\/\/deadline.com\/2019\/06\/the-a-word-us-remake-keshet-1202631197\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Poniewozik, J.; Hale, M.; Lyons, M. (December 4, 2017). The Best TV Shows of 2017. <i>The New York Times<\/i>. https:\/\/www.nytimes.com\/2017\/12\/04\/arts\/television\/best-tv-shows.html<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Press, J. (August 29, 2019). Why Israeli TV is irresistible to American producers. <i>Vanity Fair<\/i>. https:\/\/www.vanityfair.com\/hollywood\/2019\/08\/why-israeli-tv-is-irresistible-to-american-producers<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>White, P.Z. (June 13, 2019) Autism Drama \u2018The A Word\u2019 Set For U.S. Broadcast Remake As Israel\u2019s Keshet Doubles Down On U.S. Development. <i>Deadline<\/i>. https:\/\/deadline.com\/2019\/06\/the-a-word-us-remake-keshet-1202631197\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>World Economic Forum (2020). Global Competitive Index 2016-2017: Country Profiles. http:\/\/reports.weforum.org\/global-competitiveness-index-2016-2017\/country-profiles\/#economy=ISR. The 16 factors evaluated were capacity to innovate, government bureaucracy, labor regulations, tax regulations, tax rates, access to financing, infrastructure, work ethic, corruption, crime and theft, education, inflation, foreign currency regulation, government stability, and public health), For the two other countries profiled, innovation capacity ranks towards the middle of the list, 10th and 7th for Denmark and South Korea, respectively.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>retrieved August 2020. https:\/\/www.imdb.com\/search\/title\/?title_type=tv_series&amp;countries=il<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Friedman, G. (August 15, 2020).Epic TV series \u2018Beauty Queen of Jerusalem\u2019 to feature \u2018Shtisel\u2019 star Aloni Production underway on ambitious Israeli show telling family\u2019s story in Israel throughout the early 20th century.<i>The Times of Israel<\/i>. https:\/\/www.timesofisrael.com\/epic-tv-series-beauty-queen-of-jerusalem-to-feature-shtisel-star-aloni\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Brown, H. (August 8, 2020). Israeli TV show \u2018Tehran\u2019 goes global: The producers are hoping that Tehran can draw an international audience once it debuts on Apple and that it will become a talked-about hit the way Fauda and Shtisel have. <i>Jerusalem Post<\/i>. https:\/\/www.jpost.com\/israel-news\/culture\/israeli-tv-show-tehran-goes-global-637783<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Wade, B. (March 20, 2020) Here\u2019s all the best Netflix Korean drama to watch on demand. <i>Filmdaily<\/i>. https:\/\/filmdaily.co\/news\/best-korean-dramas-on-netflix\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Moon, K. (May 12, 2020). The 10 Best Korean Dramas to Watch on Netflix. <i>Time<\/i>. https:\/\/time.com\/5835519\/best-korean-dramas-netflix\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Yoon, D. and Watson, R.T. (August 13, 2020). This Summer\u2019s Only Blockbuster Is a South Korean Zombie Film:\u2018Peninsula\u2019 has faced little Hollywood competition and has won ticket sales across Asia, where some theaters have remained open during the coronavirus pandemic. <i>Wall Street Journal<\/i>. https:\/\/www.wsj.com\/articles\/this-summers-only-blockbuster-is-a-south-korean-zomb<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span><i>Kim Gu <\/i>(March 1, 1948). <i>Baekbeomilji<\/i><\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Canadian films at Canadian theatrical box office have a share of about 2%, a statistic that seems a historical anomaly in the streaming era. https:\/\/en.wikipedia.org\/wiki\/Cinema_of_Canada<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>As quoted in Jin, Dal Yong (2016). \u201cThe Rise of the New Korean Wave\u201d. In Jin, Dal Yong (ed.). <i>New Korean Wave. New Korean Wave<\/i>. Transnational Cultural Power in the Age of Social Media. University of Illinois Press. pp. 3\u201319. ISBN 978-0252039973.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Leong, M. (August 2, 2014). How Korea became the world\u2019s coolest brand. <i>Financial Post<\/i>. https:\/\/financialpost.com\/news\/retail-marketing\/how-korea-became-the-worlds-coolest-brand?r<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>KBS America \u201c(2017) \u201cAbout us\u201d retrieved December 19, 2020. http:\/\/www.kbs-america.com\/company\/aboutus<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Canada Media Fund data: funding models analyses, 2015<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Canada Media Fund data: funding models analyses, 2015<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Park, E-A. (2018). Business Strategies of Korean TV Players in the Age of Over-The-Top (OTT) Video Service. <i>International Journal of Communication<\/i> 12(2018), 4646\u20134667 1932\u20138036\/20180005<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Park, E-A. (2018). Business Strategies of Korean TV Players in the Age of Over-The-Top (OTT) Video Service. <i>International Journal of Communication<\/i> 12(2018), 4646\u20134667 1932\u20138036\/20180005<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>MacDonald, J. (May 23, 2019). With more female screenwriters, do Korean TV dramas pass the Bechdel test? <i>Forbes<\/i>. https:\/\/www.forbes.com\/sites\/joanmacdonald\/2019\/05\/23\/with-more-female-screenwriters-do-korean-tv-dramas-pass-the-bechdel-test\/?sh=553cae0f5f9c<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Zeitchek, S. (February 8, 2020). A woman has not won a screenwriting Oscar since the George W. Bush administration. Activists call it a travesty, <i>The Washington Post<\/i>. https:\/\/www.washingtonpost.com\/business\/2020\/02\/08\/woman-has-not-won-screenwriting-oscar-since-george-w-bush-administration\/. Women in Hollywood (n.d.). 2019 Statistics. https:\/\/womenandhollywood.com\/resources\/statistics\/2019-statistics\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>TV Series, South Korea (Sorted by Popularity Ascending). imdb.com Retrieved August 2020: https:\/\/www.imdb.com\/search\/title\/?countries=kr&amp;sort=moviemeter,asc&amp;title_type=tv_series<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>TV Series, Canada, imdb.com. Retrieved August 2020: https:\/\/www.imdb.com\/search\/title\/?title_type=tv_series&amp;countries=ca<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>In designing the Canadian framework, traditional \u201cprimetime\u201d (8-11) was replaced by \u201cevening hours\u201d 6pm-12am to allow Canadian networks to meet their 50% quota of Canadian content by including news and prime access (7-8pm), leaving most of the traditional prime time open for Hollywood hits because popular primetime shows are TV\u2019s economic driver.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CBC Media Centre (April 16, 2020) CBC original Schitt\u2019s Creek wraps its final season as the #1 Canadian comedy series of the year. cbc.ca https:\/\/www.cbc.ca\/mediacentre\/press-release\/cbc-original-schitts-creek-wraps-its-final-season-as-the-1-canadian-comedy#:~:text=Releases%20Schedules%20Contact-,CBC%20ORIGINAL%20SCHITT\u2019S%20CREEK%20WRAPS%20ITS%20FINAL%20SEASON%20AS%20THE,COMEDY%20SERIES%20OF%20THE%20YEAR&amp;text=CBC\u2019s%20original%20hit%20comedy%20SCHITT\u2019S,the%202019%2D20%20broadcast%20season.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Noam, E. M. (2008, July 11). TV or not TV: Three screens, one regulation? (Report to the Canadian Radio-television and Telecommunications Commission. <i>crtc.gc.ca<\/i> http:\/\/www.crtc.gc.ca\/eng\/media\/noam2008.htm Reasons for Regulation section, para. 6<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Caplan, G. L., &amp; Sauvageau, F. (1986). Report of the Task Force on Broadcasting Policy. Ottawa, ON: Minister of Supply and Services Canada. p. 76 https:\/\/catalogue.library.ryerson.ca\/record=b1054189<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Standing Committee on Canadian Heritage. (2003). Our cultural sovereignty: The second century of Canadian broadcasting. pp 5, 301. https:\/\/www.ourcommons.ca\/DocumentViewer\/en\/37-2\/HERI\/report-2\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Some sources: Babe, R. E. (2000). <i>Canadian communication thought: Ten foundational writers<\/i>. Toronto, ON: University of Toronto Press; Edwardson, R. (2008). <i>Canadian content, culture and the quest for nationhood<\/i>. Toronto, ON: University of Toronto Press; Frye, N. (1971). <i>The bush garden: Essays on the Canadian imagination<\/i>. Toronto, ON: House of Anansi.diss-Frye, N. 1971; Godfrey, S., &amp; Unger, F. (2004). <i>The shifting foundations of modern nation-states: Realignments of belonging<\/i>. Toronto, ON: University of Toronto Press; Johnson-Yale, C. (2008). \u201cSo-called runaway film production\u201d: <i>Countering Hollywood\u2019s outsourcing narrative in the Canadian press. <\/i>Critical Studies in Media Communications, 25(2), 113-134. doi:10.1080\/15295030802032259; Noam, E. M. (July 11, 2008). TV or not TV: Three screens, one regulation? Report to the Canadian Radio-television and Telecommunications http:\/\/www.crtc.gc.ca\/eng\/media\/noam2008.htm<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Babe, R. E. (2000). Canadian communication thought: Ten foundational writers. Toronto, ON: University of Toronto Press<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Frye, N. (1971). The bush garden: Essays on the Canadian imagination. P. iii-iv. Toronto, ON: House of Anansi.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Edwardson, R. (2008). Canadian content, culture and the quest for nationhood. Toronto, ON: University of Toronto Press. p. 283<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Noam, E. M. (2008, July 11). TV or not TV: Three screens, one regulation? (Report to the Canadian Radio-television and Telecommunications Commission). Reasons for Regulation section, para. 6 http:\/\/www.crtc.gc.ca\/eng\/media\/noam2008.htm<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Litt, P. (1992). <i>The muses, the masses and the Massey Commission<\/i>. Toronto, ON: University of Toronto Press.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Royal Commission on Radio Broadcasting. (1929). Report of the Royal Commission on Radio Broadcasting. Ottawa, ON: F.A. Acland, Printer to the King. pps. 1, 4, 17 http:\/\/publications.gc.ca\/collections\/collection_2014\/bcp-pco\/CP32-104-1929-eng.pdf.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Royal Commission on Radio Broadcasting. (1929). Report of the Royal Commission on Radio Broadcasting. Ottawa, ON: F.A. Acland, Printer to the King. pps. 1, 4, 17. http:\/\/publications.gc.ca\/collections\/collection_2014\/bcp-pco\/CP32-104-1929-eng.pdf<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Government of Canada, Report of the Royal Commission on Radio Broadcasting (1929). p.p. 1, 3, 17 http:\/\/publications.gc.ca\/collections\/collection_2014\/bcp-pco\/CP32-104-1929-eng.pdf<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Government of Canada, Report of the Royal Commission on Radio Broadcasting (1929). p. 6 http:\/\/publications.gc.ca\/collections\/collection_2014\/bcp-pco\/CP32-104-1929-eng.pdf<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Standing Committee on Canadian Heritage. (2003). <i>Our cultural sovereignty: The second century of Canadian broadcastin<\/i>g. http:\/\/www.parl.gc.ca\/HousePublications\/Publication.aspx?DocId=1032284<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Standing Committee on Canadian Heritage. (2003). <i>Our cultural sovereignty: The second century of Canadian broadcasting<\/i>. http:\/\/www.parl.gc.ca\/HousePublications\/Publication.aspx?DocId=1032284<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Classictvhits.com. (n.d.). TV ratings: Top 30 shows for each year, from 1950 to 2000. Retrieved from http:\/\/www.classictvhits.com\/tvratings\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Palmer, S. (2006). <i>Television disrupted: The transition from network to networked TV<\/i>. Burlington, MA: Focal Press\/Elsevier.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Litt, P. (1992). <i>The muses, the masses and the Massey Commission<\/i>. Toronto, ON: University of Toronto Press. p. 48<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Wikipedia (n.d.) Texaco Star Theatre. https:\/\/en.wikipedia.org\/wiki\/Texaco_Star_Theater<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Litt, P. (1992). <i>The muses, the masses and the Massey Commission<\/i>. Toronto, ON: University of Toronto Press. p. 71, from CKEY briefs (vol. 7 no. 86, pp. 28-29).<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span><i>Report &#8211; Royal Commission on National Development in the Arts, Letters, and Sciences, 1949-1951<\/i>. (1951). Ottawa: ON: Edmond Cloutier, Printer to the King\u2019s Most Excellent Majesty Royal Commission, 1951. Section 18, para. 26 https:\/\/www.collectionscanada.gc.ca\/massey\/index-e.html<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>OFA Entertainment. (2010). The Ed Sullivan Show\u2014The official Ed Sullivan site. Retrieved from http:\/\/www.edsullivan.com\/most-frequent-ed-sullivan-show-guests. Canadians Wayne and Shuster became the most frequent performers on <i>The Ed Sullivan Show<\/i>. With 58 appearances, they beat Topo Gigio, a mouse puppet who appeared 50 times.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span><i>Report\u2014Royal Commission on National Development in the Arts, Letters, and Sciences, 1949-1951<\/i>. (1951). Ottawa, ON: Edmond Cloutier, Printer to the King\u2019s Most Excellent MajestyRoyal Commission, 1951, section 18, para. 26, Chapter III, section 47, para. 18.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span><i>Report &#8211; Royal Commission on National Development in the Arts, Letters, and Sciences, 1949-1951<\/i>. (1951). Ottawa, ON: Edmond Cloutier, Printer to the King\u2019s Most Excellent MajestyRoyal Commission, 1951, Chapter II, paras. 9-10, [my italics]<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Fulford, R. (December 22, 2001). The Massey Report: Did it send us the wrong way? The National Post. www.robertfulford.com\/MasseyReport.html, paras 7-8.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Government of Canada, Standing Committee on Canadian Heritage. (2003). <i>Our cultural sovereignty: The second century of Canadian broadcasting<\/i>. http:\/\/www.parl.gc.ca\/HousePublications\/Publication.aspx?DocId=103228<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Government of Canada (1991). <em>Broadcasting Act<\/em>. https:\/\/laws.justice.gc.ca\/eng\/acts\/B-9.01\/page-5.html#docCont<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Government of Canada. Copyright Act. <i>Justice Laws<\/i>. https:\/\/laws-lois.justice.gc.ca\/eng\/acts\/C-42\/Index.html has undergone a review process. The results were tabled in May 2019, resulting in 36 recommendations. Part I, Section 3(d) https:\/\/gowlihngwlg.com\/en\/insights-resources\/articles\/2019\/more-changes-to-canadian-copyright-law-announced\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Government of Canada (December 7, 2020). CRTC: Departmental results report 2019-2020. https:\/\/crtc.gc.ca\/eng\/backgrnd\/drr2020\/drr2020.htm<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Government of Canada (1991), <em>Broadcasting Act<\/em>. <i>Justice Laws<\/i>. Broadcasting Policy, Section 3, para. d.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Palmer, P. (January 23, 2015). Why broadcasting and telecoms belong in different legislation. Philip Palmer Law. http:\/\/philippalmerlaw.ca\/broadcasting-telecoms-belong-different-legislation\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CRTC (1971). Canadian Broadcasting, A Single System: Policy Statement on Cable Television. Section 4 Many thanks to retired CRTC Executive, Margaret Kennedy, who facilitated my request for the original documents on simultaneous substitution and spent hours of research to find these archived files.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\">\u00a0Personal communication with the author.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Canadian Radio-television and Telecommunications Commission. (2011). Broadcasting Decision 2011-441: Group-based licence renewals for English-language television groups\u2014Introductory decision. Canadian Program Expenditures. http:\/\/www.crtc.gc.ca\/eng\/archive\/2011\/2011-441.htm<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Berkowitz, I.S. (February 27, 2020). Yale report a month on: The good, the bad and a quid pro quo. https:\/\/playbackonline.ca\/2020\/02\/27\/yale-report-a-month-on-the-good-the-bad-and-a-quid-pro-quo\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Grant, P. S., &amp; Buchanan, G. (Eds.). (2010). <i>Regulatory guide to Canadian television<\/i>. Toronto, ON: McCarthy Tetrault.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Rogers Communications Inc. (October 8, 2014). Intervention 2345, Appendix C by Armstrong Consulting: The economic value of simultaneous signal substitution for English-language private television broadcasters. https:\/\/services.crtc.gc.ca\/pub\/ListeInterventionList\/Default-Defaut.aspx?en=2014-190&amp;dt=i&amp;S=C&amp;PA=b&amp;PT=nc&amp;PST=a&amp;lang=e<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Thanks to CRTC who provided the dates of meetings between the industry and the CRTC over the four years (1980-1984) that it took to create the 10 point system.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Berkowitz, I.S. (January 27, 2020). Analysis: Unless we drop our antiquated nationalism, we\u2019ll have nothing. cartt.ca https:\/\/cartt.ca\/analysis-unless-we-drop-our-antiquated-nationalism-well-have-nothing\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Zitzerman, D. (March 2012). Structuring an international treaty co-production or a CRTC co-venture: Insight 5th edition entertainment law: Best practice and lessons learned. www.goodmans.ca\/files\/file\/docs\/zitzerman.pdf, p. 6<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>An obscure report about new opportunities emerging in the U.S. may have laid conceptual groundwork for the Canadian co-ventures category. Apparently authored by a consulting company for Pierre Elliot Trudeau\u2019s Department of Communications, it observed that opportunity and mutual need would define the U.S. market for Canadian TV programs. It emphasized Canadian creative talent: \u201cIn the final analysis, it is the strength of the program idea that matters most. Canadians do not lack talent or ideas\u201d (Grieve, Horner, &amp; Associates, 1983).<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Canadian Forex. (June 29, 2015). Yearly average exchange rate for currencies. http:\/\/www.canadianforex.ca\/forex-tools\/historical-rate-tools\/yearly-average-rates<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Berkowitz, I.S. (January 27, 2020). Analysis: Unless we drop our antiquated nationalism, we\u2019ll have nothing. cartt.ca https:\/\/cartt.ca\/analysis-unless-we-drop-our-antiquated-nationalism-well-have-nothing\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Per CRTC 2015-86 (March 12, 2015), <i>The Way Forward<\/i>, Canadian content daytime quotas were removed in 2016.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Broadcast exhibition quotas underwent revisions, but there were few substantive changes until CRTC\u20192015 decision resulting from <i>Let\u2019s Talk TV<\/i>,# the nation\u2019s first inquiry on the impact of global media disruption. Daytime regulations were removed, so as to focus on high-budget, high-employment primetime Canadian content, another strategy to direct more resources towards Canadian content in the hopes of increasing popularity. <i>Let\u2019s Talk TV<\/i> is examined in Chapter 5.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Lemieux, R., &amp; Jackson, J. ( October 12, 1999) Cultural exemptions in Canada\u2019s major international trade agreements and investment relationships. http:\/\/www.parl.gc.ca\/Content\/LOP\/researchpublications\/prb9925-e.ht<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>McGregor, J. (October 17, 2018). Canada to apply USMCA cultural exemption to trade in digital media. cbc.ca ttps:\/\/www.cbc.ca\/news\/politics\/usmca-nafta-cultural-exemption-1.4865113<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CRTC (May 17, 1999). CRTC Broadcasting Public Notice (PN) 1999-84, Telecom PN 99-14. The Commission\u2019s approach to new media. para. 6. http:\/\/www.crtc.gc.ca\/eng\/archive\/1999\/pb99-84.htm<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>The Power of TV Advertising in Canada. (2019). <i>ThinkTV<\/i>. https:\/\/thinktv.ca\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Berkowitz, I.S. (February 27, 2020). Yale report a month on: The good, the bad and a quid pro quo. Playback. https:\/\/playbackonline.ca\/2020\/02\/27\/yale-report-a-month-on-the-good-the-bad-and-a-quid-pro-quo\/#ixzz6hCaXCMop<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Standing Committee on Canadian Heritage. (2003). <i>Our cultural sovereignty: The second century of Canadian broadcasting.<\/i> http:\/\/www.parl.gc.ca\/HousePublications\/Publication.aspx?DocId=1032284. p. 136.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>for example, Macerola, F. (2003, June). Canadian content in the 21st century in film and television productions: A matter of cultural destiny (Cat. No. CH44-29\/2003). https:\/\/www.sfu.ca\/cmns\/courses\/230\/Body%20text.section\/Canada\/Canadian%20Content-2003E.pdf<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Standing Committee on Canadian Heritage. (2003). <i>Our cultural sovereignty: The second century of Canadian broadcasting<\/i>. http:\/\/www.parl.gc.ca\/HousePublications\/Publication.aspx?DocId=1032284, p.121.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Standing Committee on Canadian Heritage. (2003). <i>Our cultural sovereignty: The second century of Canadian broadcasting<\/i>. Standing Committee on Canadian Heritage, p. 132-164.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Zitzerman, D. (March, 2012). Structuring an international treaty co-production or a CRTC co-venture: Insight 5th edition entertainment law: Best practice and lessons learned. www.goodmans.ca\/files\/file\/docs\/zitzerman.pdf<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Hoskins, C., McFadyen, S. &amp; Finn, A. (2004). <i>Media economics: Applying economics to new and traditional media<\/i>. Thousand Oaks, CA: Sage. p. 160-320.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Porter, M. E. (1998b, November). Clusters and the new economics of competition. <i>Harvard Business Review<\/i>, p. 86-87<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Coalition of Canadian Audio-Visual Unions, 2003.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>McQueen, T. (2003). Dramatic choices: A report on Canadian English-language drama. Ottawa, ON: Canadian Radio-television and Telecommunications Commission. p. 2. http:\/\/www.crtc.gc.ca\/eng\/Library\/Detail\/catalog5894<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CRTC (November 29, 2004). Incentives for English-language Canadian television drama (Broadcasting Public Notice CRTC 2004-93). http:\/\/www.crtc.gc.ca\/eng\/archive\/2004\/pb2004-93.htm<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Government of Canada, Department of Canadian Heritage. (2009). <i>Canada Media Fund<\/i>. para. 27. http:\/\/www.pch.gc.ca\/eng\/1294329166335\/1294330109930<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>de Rosa, M. and Burgess, M. (December 2015). <i>An international comparative study: How national content is defined in Canada and selected countries for the purpose of providing access to public support.<\/i> CMPA-CMF-Telefilm-OMDC-MDR; CMF-Olsberg SPI (September 2015). <i>New funding models: How funders cope in a changing media environment<\/i>. London, UK.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Berkowitz, I. S. (June 10, 2015). In TV\u2019s Golden Age, viewers are already on line. Industry must follow. <i>The Globe and Mail Report on Business<\/i>. http:\/\/www.theglobeandmail.com\/report-on-business\/rob-commentary\/in-tvs-new-golden-age-consumers-have-the-gold-we-should-follow-their-lead\/article24879478\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Statista (n.d.) Penetration rate of Netflix subscribers in Canada 2012-2018 by subscriber\u2019s language. statista.com https:\/\/www-statista-com.ezproxy.lib.ryerson.ca\/statistics\/473746\/canada-netflix-subscriber-reach-language\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Public Interest Advocacy Center\/PIAC ( September 9, 2014). <i>Let\u2019s Talk TV, Day 2<\/i>. http:\/\/www.piac.ca\/telecom\/let_s_talk_tv_day_2\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Oliveira, M. (September 20, 2013). Netflix doubles subscriber base in Canada. <i>The Globe and Mail<\/i>. https:\/\/www.theglobeandmail.com\/technology\/business-technology\/netflix-doubles-subscriber-base-in-canada-survey-says\/article14433587\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>As quoted in Berkowitz, I. S. (February 27, 2020). Yale report a month on: The good, the bad, and a quid pro quo. Playback. https:\/\/playbackonline.ca\/2020\/02\/27\/yale-report-a-month-on-the-good-the-bad-and-a-quid-pro-quo\/ in a speech by then CRTC VP of Telecommunications, Peter Menzies. Original speech can be found at: Government of Canada (September 23, 2013). Speech by Peter Menzies. https:\/\/www.canada.ca\/en\/news\/archive\/2013\/09\/speech-peter-menzies.html<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Friends of Canadian Broadcasting (March 12, 2015),. Speech: CRTC Chairman on Let\u2019s Talk TV and the future of content made by Canadians by Jean-Pierre Blais. https:\/\/friends.ca\/explore\/article\/speech-crtc-chairman-on-lets-talk-tv-and-the-future-of-content-made-by-canadians-by-jean-pierre-blais\/Age of abundance, paras. 11-12 &amp; Conclusion, para. 2) http:\/\/news.gc.ca\/web\/article-en.do?nid=926529<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Berkowitz, (I. S.) (September 9, 2014) <i>Brain Drain to Brain Chain | Can Con to Can Brand\u2014Reframing the Challenge of English Language Canadian TV Drama<\/i> https:\/\/services.crtc.gc.ca\/pub\/ListeInterventionList\/Documents.aspx?ID=218358&amp;en=2014-190&amp;dt=i&amp;lang=e&amp;S=C&amp;PA=b&amp;PT=nc&amp;PST=a<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CRTC (2014) Interventions, Public Process 2014-90 https:\/\/services.crtc.gc.ca\/pub\/ListeInterventionList\/Default-Defaut.aspx?en=2014-190&amp;dt=i&amp;lang=e&amp;S=C&amp;PA=b&amp;PT=nc&amp;PST=a<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Berkowitz, I.S. (July 7, 2014). Is it time to rebrand Canadian TV. <i>playbackonline.ca<\/i> http:\/\/playbackonline.ca\/2014\/07\/07\/oped-is-it-time-to-re-brand-canadian-tv\/%23ixzz36oOrqGOX<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Government of Canada, CRTC (September 2014). Agenda: Hearing 8 September 2014, Gatineau, Quebec. https:\/\/crtc.gc.ca\/Broadcast\/eng\/HEARINGS\/2014\/ag08_09.htm?_ga=2.73238035.1286938753.1610379155-680731202.1605035722<\/p>\n<\/li>\n<li>Berkowitz, I. S. (September 9, 2014)\u00a0 Can Con to Can Brand \u2013 Let\u2019s pivot our goal from domestic supply to global demand. (Written version of live presentation at CRTC hearing, Let\u2019s talk TV). <a href=\"https:\/\/services.crtc.gc.ca\/pub\/ListeInterventionList\/Documents.aspx?ID=218358&amp;Lang=e\">https:\/\/services.crtc.gc.ca\/pub\/ListeInterventionList\/Documents.aspx?ID=218358&amp;Lang= <\/a><\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Government of Canada (2014). CRTC, related documents. Berkowitz, I. (October 3, 2014). Future Proofing Canada\u2019s Media System\u2014From Investment to Return on Investment: Global Applause Is not Just Good Business\u2014It\u2019s Great Culture https:\/\/services.crtc.gc.ca\/pub\/ListeInterventionList\/Documents.aspx?ID=218358&amp;en=2014-190&amp;dt=f&amp;lang=e&amp;S=C&amp;PA=b&amp;PT=nc&amp;PST=a<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Berkowitz, I.S. (September 15, 2014). Canadians want good programs, not 300 channels. The Globe and Mail. https:\/\/www.theglobeandmail.com\/opinion\/canadians-want-good-programs-not-300-channels\/article20600050\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CRTC. (2014). Public Process 2014-190. https:\/\/services.crtc.gc.ca\/pub\/ListeInterventionList\/Default-Defaut.aspx?en=2014-190&amp;dt=f&amp;lang=e&amp;S=C&amp;PA=b&amp;PT=nc&amp;PST=a<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CRTC (March 26, 2015). Let\u2019s Talk TV decisions at a glance. http:\/\/www.crtc.gc.ca\/eng\/com300\/infograph1.htm<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CRTC (January 29, 2015). Broadcasting Regulatory Policy 2015-25: Measures to address issues related to simultaneous substitution. http:\/\/www.crtc.gc.ca\/eng\/archive\/2015\/2015-24.htm<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Rogers Communications Inc. (October 8, 2014). Intervention 2345, Appendix C by Armstrong Consulting: The economic value of simultaneous signal substitution for English-language private television broadcasters. https:\/\/services.crtc.gc.ca\/pub\/ListeInterventionList\/Default-Defaut.aspx?en=2014-190&amp;dt=i&amp;S=C&amp;PA=b&amp;PT=nc&amp;PST=a&amp;lang=e<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CRTC (March 12, 2015). Jean-Pierre Blais to the Canadian Club of Ottawa on <i>Let\u2019s Talk TV<\/i> and the future of content made by Canadians (Press release). Today\u2019s Decision section, para. 3. http:\/\/news.gc.ca\/web\/article-en.do?nid=947239<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CRTC (March 12, 2015). Jean-Pierre Blais to the Canadian Club of Ottawa on <i>Let\u2019s Talk TV <\/i>and the future of content made by Canadians (Press release). Today\u2019s Decision section, para. 3. http:\/\/news.gc.ca\/web\/article-en.do?nid=947239<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CRTC (March 12, 2015). Broadcasting Regulatory Policy 2015-86.The way forward &#8211; Creating compelling and diverse Canadian programming. http:\/\/crtc.gc.ca\/eng\/archive2015\/2015-86.htm<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Berkowitz, I.S. (March 13, 2015). CRTC gets it: Time to make hits, not shows. <i>The Globe and Mail Report on Business<\/i> http:\/\/www.theglobeandmail.com\/globe-debate\/crtc-gets-it-time-to-make-hits-not-shows\/article23449134\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Canadian Radio-television and Telecommunications Commission (CRTC) (March 26, 2015). Let\u2019s Talk TV decisions at a glance. https:\/\/crtc.gc.ca\/eng\/television\/services\/idecisions.htm<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Porter, M. E. (1990). The competitive advantage of nations.. New York, NY: Free Press. pp. 30 and 169-171<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Jackson, E. (June 14, 2016). Netflix lands over a million new subscribers in less than a year. National Post. http:\/\/www.nationalpost.com\/netflix+lands+over+million+canadian+subscribers+less+than+year+report\/11986099\/story.html<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Statista. Number of Netflix subscribers in Canada 2017-2023. Subscribers continued to grow to over 7M in 2019 and are expected to reach 8M in 2023, amidst competition from other online services such as Disney Plus and Amazon Prime Video. https:\/\/www-statista-com.ezproxy.lib.ryerson.ca\/statistics\/685141\/canada-netflix-subscribers-count\/. By comparison, cable subscriptions to English speaking households from 2010-2017 dropped lightly, about 7500 to 7,000: Television cable subscription in Canada 2010-2017 by provider. https:\/\/www-statista-com.ezproxy.lib.ryerson.ca\/statistics\/431299\/tv-subscribers-canada-corporation\/ \\<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>The Power of TV Advertising in Canada. (2019). ThinkTV. https:\/\/thinktv.ca\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Canadian Content in a Digital World: https:\/\/www.canada.ca\/en\/services\/culture\/consultations.html &amp; Creative Canada Policy Framework: https:\/\/www.canada.ca\/en\/canadian-heritage\/campaigns\/creative-canada\/framework.html<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Government of Canada (August 26, 2016). Thank you to those who participated\u2026 Canadian content in a digital world. https:\/\/www.canadiancontentconsultations.ca\/home<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Government of Canada (September 2016). Canadian content in a digital world. Department of Canadian Heritage. https:\/\/s3.ca-central-1.amazonaws.com\/ehq-production-canada\/documents\/attachments\/e328d01aaa5d8b25b5b2e769f0f3ccb59f63893e\/000\/004\/022\/original\/PCH-DigiCanCon-Consultation_Paper.pdf?1474391164<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Reid, R. (June 14, 2017). Banff 17: JP Blais\u2019 last stand. <i>Playback<\/i>. https:\/\/playbackonline.ca\/2017\/06\/14\/banff-17-jp-blais-last-stand\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Ismail. S., Malone, M., and Van Geest, Y. (2014, 2021)<i> Exponential Organizations: Why new organizations are ten times better, faster, and cheaper than yours and what to do about it<\/i>. Diversion Books: New York. (2021 edition forthcoming)<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Berkowitz, I. S. (December 1, 2016). TV is about to be disrupted and the CRTC knows it. <i>The Globe and Mail<\/i> http:\/\/www.theglobeandmail.com\/opinion\/cable-tv-is-about-to-be-disrupted-and-the-crtc-knows-it\/article33121340\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Anderson, C. (2006). <i>The long tail: Why the future of business is selling less of more<\/i>. New York: Hyperion.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Government of Canada. Canadian Heritage. https:\/\/www.canada.ca\/en\/canadian-heritage\/services\/exporting-creative-industries\/creative-export-strategy.html<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Government of Canada. Canadian Heritage. https:\/\/www.canada.ca\/en\/canadian-heritage\/services\/funding\/creative-export-canada.html<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Berkowitz, I.S. (October 3, 2017). Five reasons to like Minister Joly\u2019s Netflix deal. <i>The Globe and Mail<\/i>. https:\/\/www.theglobeandmail.com\/report-on-business\/rob-commentary\/five-reasons-to-like-heritage-minister-melanie-jolys-netflix-deal\/article36472751\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Berkowitz, I.S. (November 3, 2017). Column: Is it time for a new points system? playbackonline.ca. https:\/\/playbackonline.ca\/2017\/11\/03\/column-is-it-time-for-a-new-points-system\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Berkowitz, I.S. (December 7, 2017). Hey Industry: Let\u2019s be clear about the Netflix tax. https:\/\/playbackonline.ca\/2017\/12\/07\/column-hey-industry-lets-be-clear-about-the-netflix-tax\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Wong, T. (November 8, 2019). Quebec\u2019s Netflix tax was a big success &#8212; will Ottawa follow with one of its own? https:\/\/www.thestar.com\/news\/canada\/2019\/11\/08\/quebec-was-the-first-to-impose-a-sales-tax-on-netflix-will-the-rest-of-canada-follow.html<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Curry, B. (January 22, 2019). Saskatchewan joins Quebec in requiring Netflix to collect sales tax. https:\/\/www.theglobeandmail.com\/politics\/article-saskatchewan-joins-quebec-in-requiring-netflix-to-collect-sales-tax\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CRTC (October 12, 2017).Broadcasting Notice of Consultation 217-359. crtc.ca https:\/\/crtc.gc.ca\/eng\/archive\/2017\/2017-359.htm<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CRTC (December, 2019). Reference document: Consultation of the future of program distribution in Canada. crtc.ca. https:\/\/crtc.gc.ca\/eng\/television\/program\/s15r.htm7<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CRTC (May 31, 2018). Harnessing Change: The future of program distribution in Canada. crtc.ca https:\/\/crtc.gc.ca\/eng\/publications\/s15\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Berkowitz, I.S. (July 5, 2018). We need to talk about Canadian drama. <i>playbackonline.ca<\/i>. https:\/\/playbackonline.ca\/2018\/07\/05\/column-we-need-to-talk-about-canadian-drama\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CRTC (December 2017). Consultation on the future of program distribution in Canada: Reference Document.# https:\/\/crtc.gc.ca\/eng\/television\/program\/s15r.htm<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CRTC (2018). Harnessing change: The future of program distribution in Canada. https:\/\/crtc.gc.ca\/eng\/publications\/s15\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Houpt, S. and Krashinsky Robertson, S. (January 31, 2019). CBC head under fire after comparing Netflix to the British Raj, warns of \u2018cultural imperialism.\u201d <i>The Globe and Mail<\/i>.<span class=\"Apple-converted-space\">\u00a0 <\/span>https:\/\/www.theglobeandmail.com\/arts\/article-cbc-head-warns-netflix-poses-cultural-threat-to-canada\/Pinto, J. (February 1, 2019). Media leaders, Netflix spar on Prime Time stage. playbackonlin<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Geist, M. (January 31, 2019). The real over-the-top: CBC President likens Netfl to cultural imperialism such as the British in India or French in Africa. Michael Geist ca https:\/\/www.michaelgeist.ca\/2019\/01\/the-real-over-the-top-cbc-president-likens-netflix-to-cultural-imperialism-such-as-the-british-in-india-or-french-in-africa\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Government of Canada (January 14, 2019). Broadcasting and Telecommunications Legislative Review Panel: Biographies.<span class=\"Apple-converted-space\">\u00a0 <\/span>https:\/\/www.ic.gc.ca\/eic\/site\/110.nsf\/eng\/00002.html<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Government of Canada (September 25, 2018). Broadcasting and telecommunications panel launches consultations: News release. https:\/\/www.ic.gc.ca\/eic\/site\/110.nsf\/eng\/00004.html<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Government of Canada (June 26,<span class=\"Apple-converted-space\">\u00a0 <\/span>2019) What we heard.<span class=\"Apple-converted-space\">\u00a0 <\/span>https:\/\/www.canada.ca\/en\/innovation-science-economic-development\/news\/2019\/06\/broadcasting-and-telecommunications-panel-releases-what-we-heard-report.htm<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>The tweet can be found here: Geist, M. (June 27m 2019). What is the point of the Broadcast and Telecom Review if the government has already decided what it intends to do. <em>michaelgeist.ca<\/em> https:\/\/www.michaelgeist.ca\/2019\/06\/pointofbtlr\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span><em>The Wire Report<\/em> (June 26, 2019). Rodriguez promises CanCon rules for \u2018web giants.\u2019 https:\/\/www.thewirereport.ca\/2019\/06\/26\/rodriguez-promises-cancon-discoverability-rules-for-web-giants<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Berkowitz, I.S. (October 24, 2019). Bordering the U.S.: Win or lose for Canadian media? <i>playbackonline.ca.<\/i> https:\/\/playbackonline.ca\/2019\/10\/24\/bordering-the-u-s-win-or-lose-for-canadian-media\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Pinto, J. (November 21, 2019). Steven Guilbeaut named Minister of Canadian Heritage. <i>playbackonline.ca<\/i>. https:\/\/playbackonline.ca\/2019\/11\/21\/steven-guilbeault-named-minister-of-canadian-heritage\/#ixzz6LJLsBgk1<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Berkowitz, I.S. (January 13,, 2020).Follow the Money: How Canadian creators are rocking it on YouTube. Playback. https:\/\/playbackonline.ca\/2020\/01\/23\/follow-the-money-how-canadian-creators-are-rocking-it-on-youtube\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Berkowitz, I.S. (January 27, 2020). Unless we drop our antiquated nationalism, we\u2019ll have nothing. Playback. https:\/\/cartt.ca\/analysis-unless-we-drop-our-antiquated-nationalism-well-have-nothing\/ Cartt.ca<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Berkowitz, I. (January 27, 2020). Analysis: Unless we drop our antiquated nationalism, we\u2019ll have nothing. Cartt.ca.<span class=\"Apple-converted-space\">\u00a0 <\/span>https:\/\/cartt.ca\/?s=antiquated+nationalism+berkowitz<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Government of Canada. (January 29, 2020). Canada\u2019s communication future: Time to act. http:\/\/www.ic.gc.ca\/eic\/site\/110.nsf\/eng\/00012.html<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Some news on the <i>Yale Report<\/i>:<br \/>\nGeist, M. (January 30, 2020). The CRTC knows best: Panel report recommends costly overhaul of Canadian communication law to regulate Internet sites and services worldwide. <i>michaelgeist.ca<\/i> http:\/\/www.michaelgeist.ca\/2020\/01\/the-crtc-knows-best\/<br \/>\nGlasner, E. (January 29, 2020) cbc.ca https:\/\/www.cbc.ca\/news\/entertainment\/broadcasting-telecommunications-report-netflix-cbc-1.5443478<br \/>\nKay, J. (January 31, 2020). The federal government\u2019s unsettling communications power grab. <i>The National Post<\/i>. https:\/\/nationalpost.com\/opinion\/jonathan-kay-the-federal-governments-unsettling-communications-power-grab<br \/>\nMalik, A. (January 29, 2020). BTLR panel opposes Netflix tax but wants to ensure contribution to CanCon. <i>MobileSyrup.com<\/i> https:\/\/mobilesyrup.com\/2020\/01\/29\/btlr-panel-opposes-netflix-tax-but-wants-to-ensure-contribution-to-cancon-canada\/<br \/>\nMenzies, P (January 30, 2020). <i>The Globe and Mail<\/i>. The CRTC report constitutes a stunning unjustified power grab. https:\/\/www.theglobeandmail.com\/business\/commentary\/article-the-crtc-report-constitutes-a-stunning-unjustified-power-grab\/<br \/>\nPosadzky, A. (January 30, 2020). Panel recommends sweeping changes to Canada\u2019s media and communications. <i>The Globe and Mail<\/i>. https:\/\/www.theglobeandmail.com\/business\/article-panel-recommends-sweeping-changes-to-canadas-media-and-communications\/<br \/>\nVlessing, E. (January 29, 2020). <i>Hollywood Reporter<\/i>. Netflix tax proposal rejected in Canada https:\/\/www.hollywoodreporter.com\/news\/netflix-tax-proposal-rejected-canada-1274629<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Menzies, P. (January 30, 2020). Broadcasting report constitutes a stunning overreach. <i>The Globe and Mail<\/i>. https:\/\/www.theglobeandmail.com\/business\/commentary\/article-the-crtc-report-constitutes-a-stunning-unjustified-power-grab\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Vlessing, E. (January 29, 2020). Netflix tax proposal rejected in Canada.<i> Hollywood Reporter.<\/i> https:\/\/www.hollywoodreporter.com\/news\/netflix-tax-proposal-rejected-canada-1274629<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Berkowitz, I. S (February 27, 2020). Yale Report a month on: The good, the bad and a quid pro quo. <i>playbackonline.ca<\/i>.https:\/\/playbackonline.ca\/2020\/02\/27\/yale-report-a-month-on-the-good-the-bad-and-a-quid-pro-q<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CanLII connects (June 20, 2014). Supreme Court of Canada: ISPs not subject to federal Broadcasting Act https:\/\/canliiconnects.org\/en\/commentaries\/27686<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>CMF (September 17, 2020). CMF annonces 19M in Covid-19 Emergency Support fund for film and television productions. https:\/\/cmf-fmc.ca\/en-ca\/programs-deadlines\/programs\/covid-19-emergency-relief-funds-interactive-digit<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Ahearn, V. and Deschamps. T. Coronavirus: Canada creates 50M fund for film, TV productions without insurance. The Canadian Press. https:\/\/globalnews.ca\/news\/7360446\/coronavirus-productions-tv-insurance\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Banff World Media Festival. Netflix. https:\/\/dov.banffmediafestival.playbackonline.ca\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Pinto, J. (November 3, 2020). Minister Steven Guilbeault proposes bill to regulate OTT\u2019s, grant more power to CRTC. Playback. https:\/\/playbackonline.ca\/2020\/11\/03\/minister-steven-guilbeault-proposes-bill-to-regulate-otts-grant-more-power-to-crtc\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Geist, M. (November 3, 2020). The Government\u2019s Internet Regulation Bill: Why Bill C-10 Will Mean a CRTC-Approved Netflix Service, Reduced Consumer Choice, and Less Investment in Canadian Culture.<span class=\"Apple-converted-space\">\u00a0 <\/span><i>Michael Geist.ca<\/i> https:\/\/www.michaelgeist.ca\/2020\/11\/the-governments-internet-regulation-bill-why-bill-c-10-will-mean-a-crtc-approved-netflix-service-reduced-consumer-choice-and-less-investment-in-canadian-culture\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Berkowitz, I.S. (December 7, 2016). Hey Industry: Let\u2019s be clear about the Netflix tax. http:\/\/<i>playbackonline.ca<\/i>\/2017\/12\/07\/column-hey-industry-lets-be-clear-about-the-netflix-tax\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Snider, M. (February 16, 2021). Americans are united on one thing: We have become a nation of streamers euring coronavirus pandemic. <i>USA Today.<\/i> https:\/\/www.usatoday.com\/story\/tech\/2021\/02\/16\/netflix-amazon-streaming-video-disney-hulu-hbo-max-peacock\/6759020002\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Malyk., L. (February 11, 2021). Netflix to make new home in Canada. Playback. https:\/\/playbackonline.ca\/2021\/02\/11\/netflix-to-make-a-new-home-in-canada\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Quote<span class=\"Apple-converted-space\">\u00a0 <\/span>by Patricia Elliott, then Consul and Senior Trade Commissioner of Los Angeles Office of the Canada Trade Commissioner Service (TCS) in Berkowitz, I. (August 29, 2017). Los Angeles Trade Commission: \u201cto sell to a global market, create for a global market.\u201d CMF Trends. https:\/\/trends.cmf-fmc.ca\/los-angeles-trade-commissioner-to-sell-to-a-global-market-create-for-a-global-market\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Scholarly consensus is this is a paraphrase of a June 1946 statement by Einstein saying a new type of thinking is essential if mankind is to survive and move to higher levels. In<span class=\"Apple-converted-space\">\u00a0 <\/span>\u201cAtomic Education Urged by Einstein,\u201d <i>The New York Times<\/i> (May 25, 1946).<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>All the world\u2019s a stage: Growing Britain\u2019s creative industries, pps. 6-8<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Carroll, L. (under the pseudonym, Charles Dodgson). (1865)<span class=\"Apple-converted-space\">\u00a0 <\/span><i>Alice\u2019s Adventures in Wonderland<\/i> (commonly shortened to Alice in Wonderland): Macmillan: U.K.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Levitt, T. (2004). Best of HBR 1960, Marketing myopia.<i> Harvard Business Review<\/i>, 82(7), 8. and Christensen, C., &amp; Cook, S. Taddy Hall., (December 2005).Marketing Malpractice.. <i>Harvard Business Review<\/i>.<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Palao, F., Lapierre, M. and Ismail, S. (2019). <i>Exponential Transformation: Evolve your organization (and change the world) with a 10-week ExO sprint<\/i>.<span class=\"Apple-converted-space\">\u00a0 <\/span>NJ: John Wilely and Sons<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Bryar, C. and Carr. B. (2021). <i>Working backwards: Insights, stories and secrets from inside Amazon.<\/i> St. Martin\u2019s Press.<span class=\"Apple-converted-space\">\u00a0 <\/span>https:\/\/www.amazon.com\/Working-Backwards-Insights-Stories-Secrets\/dp\/1250267595<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Government of Canada (August 10, 2009). <i>Canadian Radio-television and Telecommunications Commission<\/i>. The MAPL system: Defining a Canadian song.<span class=\"Apple-converted-space\">\u00a0 <\/span>https:\/\/crtc.gc.ca\/eng\/info_sht\/r1.htm<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Townsend, K. (December 8, 2020). Schitt\u2019s Creek Emmy win fuels international selling spree. <i>Playback<\/i>. https:\/\/playbackonline.ca\/2020\/12\/08\/schitts-creek-emmy-win-fuels-international-selling-spree\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Ismail. S., Malone, M., and Van Geest, Y. (2014, 2021) <i>Exponential Organizations: Why new organizations are ten times better, faster, and cheaper than yours and what to do about it.<\/i> Diversion Books: New York. (2021 edition forthcoming)<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Vlessing, E. (February 5, 2021). CMPA Prime Time: There\u2019s a big hole in Canadian TV audience data collection. Cartt.ca. https:\/\/cartt.ca\/cmpa-prime-time-theres-a-big-hole-in-canadian-tv-audience-data-collection\/?mc_cid=30505b3e67&amp;mc_eid=803730e12b<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Interbrand (2021). Best global brands 2020. https:\/\/interbrand.com\/best-brands\/reference and Kantar (2021) Global: Discover the BrandZ top most valuable global brands. https:\/\/www.kantar.com\/campaigns\/brandz\/global\/<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Debnath, N. (2015, June 13). Downton Abbey to be given special BAFTA award for flying the flag for British drama. <i>Express.<\/i><span class=\"Apple-converted-space\">\u00a0 <\/span>para.4. http:\/\/www.express.co.uk\/entertainment\/tv-radio\/584231\/Downton-Abbey-Bafta-award-Hugh-Bonneville-Julian-Fellowes<\/p>\n<\/li>\n<li>Reichheld, T.F. (2003). The one number you need to grow. Harvard Business Review. <a href=\"https:\/\/hbr.org\/2003\/12\/the-one-number-you-need-to-grow\">https:\/\/hbr.org\/2003\/12\/the-one-number-you-need-to-grow\u00a0<\/a><\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Customer Guru (2021). Netflix Net Promoter Score 2021 benchmarks.<span class=\"Apple-converted-space\">\u00a0 <\/span>https:\/\/customer.guru\/net-promoter-score\/netflix<\/p>\n<\/li>\n<li class=\"p2\">\n<p class=\"hanging-indent\"><span class=\"Apple-tab-span\"> <\/span>Subramaniam, V. (January 4, 2021), \u2018We have come six years in six months and there\u2019s no going back:\u2019 Eight VCs on what to expect from venture capital in 2021. <i>The Logic<\/i> https:\/\/thelogic.co\/news\/special-report\/we-have-come-six-years-in-six-months-and-theres-no-going-back-eight-vcs-on-what-to-expect-from-venture-capital-in-2021\/?utm_source=The+Logic+Master+List&amp;utm_campaign=f2af06aac2-SAMPLE_We_have_come_six_years_in_six_months_COPY_0&amp;utm_medium=email&amp;utm_term=0_325d5d3b52-f2af06aac2-275682397.<\/p>\n<\/li>\n<\/ol>\n","protected":false},"author":2,"menu_order":1,"template":"","meta":{"pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"back-matter-type":[30],"contributor":[],"license":[],"class_list":["post-151","back-matter","type-back-matter","status-publish","hentry","back-matter-type-bibliography"],"_links":{"self":[{"href":"https:\/\/pressbooks.library.torontomu.ca\/mediaucracy\/wp-json\/pressbooks\/v2\/back-matter\/151","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pressbooks.library.torontomu.ca\/mediaucracy\/wp-json\/pressbooks\/v2\/back-matter"}],"about":[{"href":"https:\/\/pressbooks.library.torontomu.ca\/mediaucracy\/wp-json\/wp\/v2\/types\/back-matter"}],"author":[{"embeddable":true,"href":"https:\/\/pressbooks.library.torontomu.ca\/mediaucracy\/wp-json\/wp\/v2\/users\/2"}],"version-history":[{"count":12,"href":"https:\/\/pressbooks.library.torontomu.ca\/mediaucracy\/wp-json\/pressbooks\/v2\/back-matter\/151\/revisions"}],"predecessor-version":[{"id":1304,"href":"https:\/\/pressbooks.library.torontomu.ca\/mediaucracy\/wp-json\/pressbooks\/v2\/back-matter\/151\/revisions\/1304"}],"metadata":[{"href":"https:\/\/pressbooks.library.torontomu.ca\/mediaucracy\/wp-json\/pressbooks\/v2\/back-matter\/151\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/pressbooks.library.torontomu.ca\/mediaucracy\/wp-json\/wp\/v2\/media?parent=151"}],"wp:term":[{"taxonomy":"back-matter-type","embeddable":true,"href":"https:\/\/pressbooks.library.torontomu.ca\/mediaucracy\/wp-json\/pressbooks\/v2\/back-matter-type?post=151"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/pressbooks.library.torontomu.ca\/mediaucracy\/wp-json\/wp\/v2\/contributor?post=151"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/pressbooks.library.torontomu.ca\/mediaucracy\/wp-json\/wp\/v2\/license?post=151"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}