{"id":91,"date":"2020-07-11T20:10:35","date_gmt":"2020-07-12T00:10:35","guid":{"rendered":"https:\/\/pressbooks.library.ryerson.ca\/photoshopped\/chapter\/tutorial-4-%e2%80%a2-we-the-people-retouching-humans\/"},"modified":"2021-07-21T18:53:38","modified_gmt":"2021-07-21T22:53:38","slug":"tutorial5","status":"publish","type":"chapter","link":"https:\/\/pressbooks.library.torontomu.ca\/photoshopped\/chapter\/tutorial5\/","title":{"raw":"Tutorial 5 \u2022 We the people: Retouching Humans","rendered":"Tutorial 5 \u2022 We the people: Retouching Humans"},"content":{"raw":"<h2>Overview<\/h2>\r\nThis lab tutorial will focus on Photoshop tools and techniques that can be used to retouch and alter people. While these tools and techniques can be used in some cases to work on non-human subjects, they tend to be particularly well-suited to working with the human form.\r\n<h2>Objectives<\/h2>\r\n<ul>\r\n \t<li>To introduce layers, layer groups, layer styles, and layer masks<\/li>\r\n \t<li>To work with cloning tools (clone, Healing, Spot Healing)<\/li>\r\n \t<li>To introduce colour correcting and replacing colour<\/li>\r\n \t<li>To introduce the Warp feature<\/li>\r\n \t<li>To work with the facial recognition features for the Liquefy Filter<\/li>\r\n \t<li>To reinforce the principles of non-destructive editing<\/li>\r\n<\/ul>\r\n<h2>Procedure<\/h2>\r\n<h3>Retouching Eyes<\/h3>\r\nEyes are a very common thing to retouch when working on an image of a person\u2019s face.\r\n\r\nLet\u2019s start by making the whites of the eyes whiter:\r\n<ol>\r\n \t<li>Open the tutorial file named GCM738_Tutorial_04_Lady.psd.<\/li>\r\n \t<li>Save the Image to the Working Photoshop Files folder with the name GCM738_Tutorial_04_Lady _Initials_v1.psd, where \u201cinitials\u201d are your initials (e.g. GCM738_Tutorial_04_Lady_JL_v1.psd).<\/li>\r\n \t<li>Double-click on the Background Layer. Rename it Original Image.<\/li>\r\n \t<li>Create a new layer above the Original Image layer and name it Whiten Eyes.<\/li>\r\n \t<li>Zoom to 300% and position the image so the eyes are prominent.<\/li>\r\n \t<li>Select the brush tool, and choose a brush that has 0% hardness and is a size that will be appropriate for the task.<\/li>\r\n \t<li>Make sure the foreground colour is white.<\/li>\r\n \t<li>Make sure you are on the Whiten Eyes layer, and begin painting the whites of the eyes \u2013 don\u2019t worry about being too \u201cclean\u201d as we will clean this up later.<\/li>\r\n \t<li>Reduce the opacity of the layer until it looks natural \u2014 approximately 30%.<\/li>\r\n \t<li>Use the eraser tool with a soft brush to clean up the edges of the eye whites.<\/li>\r\n \t<li>Zoom out to 100%, and review the results by toggling the layer visibility.<\/li>\r\n<\/ol>\r\nNow let\u2019s change the colour of her eyes to blue:\r\n<ol start=\"12\">\r\n \t<li>Create a new layer above the Whiten Eyes layer, and name it Blue Eyes.<\/li>\r\n \t<li>Zoom to 200%.<\/li>\r\n \t<li>Use the elliptical selection tool to draw a selection around the left iris. Save this selection as Left Eye.<\/li>\r\n \t<li>Use the elliptical selection tool to draw a selection around the right iris. Now Load selection, choose Left Eye as the channel, and choose the \u201cadd to selection\u201d option. Now both irises should be selected.<\/li>\r\n \t<li>Choose Select Modify Feather, and feather the selection 0.5 pixels.<\/li>\r\n \t<li>With the Blue Eyes layer selected, Choose Layer Layer Mask Reveal Selection. Note that the layer mask hides everything except the two iris selections.<\/li>\r\n \t<li>Make sure the image, not the layer mask is selected, then choose Edit Fill.<\/li>\r\n \t<li>Choose \u201cColor\u201d and pick a blue that is R 20, G 100, B 200 and click ok twice to get back to the image.<\/li>\r\n \t<li>Change the Blend Mode of the Blue Eyes layer to \u201cHue.\u201d<\/li>\r\n \t<li>Now select the layer mask and use the brush tool to clean up the mask.<\/li>\r\n \t<li>Zoom out to 100% and check your work by toggling the layer off and on.<\/li>\r\n<\/ol>\r\nFinally, let\u2019s create a layer group to keep our work organized:\r\n<ol start=\"23\">\r\n \t<li>Click on the layer group icon (<img src=\"http:\/\/pressbooks.library.ryerson.ca\/photoshopped\/wp-content\/uploads\/sites\/128\/2020\/07\/image1-3.png\" width=\"20.7757480314961px\" height=\"17.7110761154856px\" alt=\"image\" \/>) on the layers palette.<\/li>\r\n \t<li>Call this group Eyes.<\/li>\r\n \t<li>Select both the Whiten Eyes layer and the Blue Eyes layer and drag them into the Eyes group.<\/li>\r\n \t<li>Your results so far should look like this:<\/li>\r\n<\/ol>\r\n<img src=\"http:\/\/pressbooks.library.ryerson.ca\/photoshopped\/wp-content\/uploads\/sites\/128\/2020\/07\/image2.png\" width=\"512\" height=\"2193\" alt=\"Photoshop screen capture demonstrating the layers order and the result of the eyes color changing.\" class=\"aligncenter\" \/>\r\n\r\n&nbsp;\r\n<h3>Smoothing Out Wrinkles<\/h3>\r\nThe next step in our tutorial will be to smooth out some of the wrinkles in our model.\r\n<h4>Clone Tool<\/h4>\r\nLet\u2019s start with the Clone Tool. The Clone Tool uses reference (source pixels) to replace target pixels. We will begin by removing the wrinkles under the mouth:\r\n<ol>\r\n \t<li>Create a new layer, and name it Clone Tool.<\/li>\r\n \t<li>Select the Clone Tool, and make sure that Mode is set to normal, Opacity and Flow are at 100%, and that Sample is set to Current &amp; Below.<\/li>\r\n \t<li>Set the brush to be approximately 70 pixels, and with 0% hardness.<\/li>\r\n \t<li>.To fix the area to the left, pick source pixels just to the right of the blemish, then clone.<\/li>\r\n \t<li>To fix the area to the right, pick source pixels just to the left of the blemish, then clone.<\/li>\r\n \t<li>Now, let\u2019s use the clone tool to remove the lines going from the nose to mouth on both sides \u2013 Tip: reduce the brush size down to around 30 pixels when cloning the detail around the nose.<\/li>\r\n<\/ol>\r\n<h4>Healing Brush Tool<\/h4>\r\nThe Clone Tool is great when there are the appropriate pixels to clone. Note however that to correct the wrinkles in our model\u2019s neck, we don\u2019t have pixels dark enough to sample from. This is where the Healing Brush comes in! It works on the same principles of the clone tool, but also matches shading and texture. Let\u2019s use the Healing Brush to smooth out the model\u2019s neck:\r\n<ol>\r\n \t<li>Create a new layer, and name it Healing Brush.<\/li>\r\n \t<li>Select the Healing Brush Tool, and make sure that Mode is set to normal, Source is set to Sampled, and Sample is set to Current &amp; Below.<\/li>\r\n \t<li>Use the Healing Brush to smooth out the wrinkles by sampling the skin in the bottom left side of the neck. Notice how it matches the tones!<\/li>\r\n<\/ol>\r\n<h4>Spot Healing Brush Tool<\/h4>\r\nThe Spot Healing Brush works under the same principle as the Healing Brush, only we do not need to choose source pixels. This brush is great for quick clean ups over small areas. Let\u2019s use the Spot Healing Brush to clean up some of the wrinkles on the face by the eyes and cheeks:\r\n<ol>\r\n \t<li>Create a new layer, and name it Spot Healing Brush.<\/li>\r\n \t<li>Select the Spot Healing Brush Tool, and make sure that Mode is set to normal, Type is set to Content-Aware, and Sample All Layers is checked.<\/li>\r\n \t<li>Use the Spot Healing Brush to smooth out the wrinkles Under the eyes, the forehead and on the far sides of the cheeks.<\/li>\r\n \t<li>Do not retouch the eyelids yet.<\/li>\r\n<\/ol>\r\n<h4>The Patch Tool<\/h4>\r\nThe Patch Tool is great for replacing large areas of an image. We are going to use the Patch Tool to fix the scar on the right-side of the mouth, and to fix the wrinkles on the model\u2019s eye lids.\r\n\r\nLet\u2019s begin:\r\n<ol>\r\n \t<li>The Patch Tool will not work on a blank layer, so duplicate the Original Image layer and name the duplicated layer Patch Tool.<\/li>\r\n \t<li>Select the Patch Tool, and make sure that Patch is set to normal, and that Source is selected.<\/li>\r\n \t<li>Select the area around the right side of the mouth, then drag to the left cheek to find the replacement patch.<\/li>\r\n \t<li>Repeat this process with the eyelids.<\/li>\r\n \t<li>The Finishing Touches.<\/li>\r\n<\/ol>\r\nLet\u2019s put the finishing touches on our retouching:\r\n<ol start=\"6\">\r\n \t<li>Create a Layer Group, and call in Wrinkles.<\/li>\r\n \t<li>Move all the retouching layers we just made into the group.<\/li>\r\n \t<li>Select the layer group Wrinkles, and give it a layer mask and choose the option of hide all.<\/li>\r\n \t<li>Fill the layer mask with 30% black. This allows some of the original image to show through, making the retouching a little more natural looking.<\/li>\r\n<\/ol>\r\nYour results to this point should look like this:\r\n\r\n<img src=\"http:\/\/pressbooks.library.ryerson.ca\/photoshopped\/wp-content\/uploads\/sites\/128\/2020\/07\/image3-1.png\" width=\"512\" height=\"2193\" alt=\"Photoshop screen capture demonstrating the layers order and fix of the scar in the right-side of the mouth \" class=\"aligncenter\" \/>\r\n<h3>Retouching Teeth and Mouth<\/h3>\r\nWe are going to replace the model\u2019s mouth with another person\u2019s mouth.\r\n\r\nLet\u2019s start by fixing her lipstick:\r\n<ol>\r\n \t<li style=\"font-weight: 400\">Place the <strong>New Smile<\/strong> file into the file.<\/li>\r\n \t<li style=\"font-weight: 400\">Use <strong>Cmd\/Ctrl + T<\/strong> to resize the image. Resize it to about <strong>15%<\/strong> and place it over the existing mouth. Change the opacity to help you see where to place the new smile. Be sure to make the opacity 100% once you are happy with the placement.<\/li>\r\n \t<li style=\"font-weight: 400\"><strong>Rotate<\/strong> the smile <strong>Clockwise<\/strong> about 2 degrees.<\/li>\r\n \t<li style=\"font-weight: 400\">Click on the checkmark in the <strong>Options Bar.<\/strong><\/li>\r\n \t<li style=\"font-weight: 400\">With the New Smile layer selected, click on <strong>Layer \u2192 Layer Mask \u2192 Reveal All.\u00a0<\/strong><\/li>\r\n \t<li style=\"font-weight: 400\">Using a soft brush, paint away the outside of the mouth with black so it looks natural.<\/li>\r\n \t<li style=\"font-weight: 400\">Create an <strong>Adjustment Layer<\/strong> and select <strong>Hue\/Saturation<\/strong>. Name it <strong>Colour Match<\/strong>. Ensure that this is a <strong>clipping mask<\/strong> to the new smile.<\/li>\r\n \t<li style=\"font-weight: 400\">Change the <strong>Hue<\/strong> to +13 and the <strong>Saturation<\/strong> to -10. This will make the smile look more natural.<\/li>\r\n \t<li style=\"font-weight: 400\">Group the New Smile layer and the Adjustment Layer in a folder named <strong>Mouth<\/strong><\/li>\r\n<\/ol>\r\n<span style=\"text-align: initial;font-size: 1em\">Your image should now look like this:<\/span>\r\n\r\n<img src=\"http:\/\/pressbooks.library.ryerson.ca\/photoshopped\/wp-content\/uploads\/sites\/128\/2020\/07\/Screen-Shot-2021-07-12-at-6.07.39-PM-1024x979.png\" alt=\"Photoshop screen capture demonstrating the layers order and the replacement of the model small with somebody's else\" width=\"500\" height=\"478\" class=\"aligncenter wp-image-311\" \/>\r\n<h3>Changing the Hair Colour<\/h3>\r\nNow we are going to give our model a different hair colour.\r\n\r\nLet\u2019s begin:\r\n<ol>\r\n \t<li>Create a new layer above the Original Image layer, and name it Hair Colour.<\/li>\r\n \t<li>Set the layer blend mode to Colour.<\/li>\r\n \t<li>Change your foreground colour to be R 120, G 90, B 0.<\/li>\r\n \t<li>Use the paint brush to colourize the hair. Don\u2019t worry about \u201cstaying in the lines.\u201d<\/li>\r\n \t<li>Create a new layer mask for the Hair Colour layer, choosing Reveal All.<\/li>\r\n \t<li>Use the paint brush to mask out the colour where you do not want it. Tip: Change the opacity of the brush to 25% to \u201cfeather\u201d the colour near the hair line to make it look natural.<\/li>\r\n<\/ol>\r\n&nbsp;\r\n<h3>Changing Facial Features Using the Liquify Filter<\/h3>\r\nPhotoshop has very powerful facial recognition features that, when combined with the Liquify Filter, can make complex facial changes a breeze.\r\n\r\nLet\u2019s begin:\r\n<ol>\r\n \t<li>Select all groups and layers except for the Working Layers - Not Used group.<\/li>\r\n \t<li>Press Shift Command Option E to create a new merged layer from these layers without deleting the original layers. Name this merged layer Liquify.<\/li>\r\n \t<li>We are going to use the Liquify Filter as a Smart Filter so that we can maintain non-destructive editing. To do this, make sure the Liquify layer is selected, and then choose FilterConvert for Smart Filters.<\/li>\r\n \t<li>Now select FilterLiquify.<\/li>\r\n \t<li>On the tool bar on the left, make sure the icon of the person is selected.<\/li>\r\n \t<li>Make the model\u2019s face wider by sliding the Face Width Slider right to 10.<\/li>\r\n \t<li>Make the model\u2019s nose thinner by sliding the Nose Width Slider left to -15.<\/li>\r\n \t<li>Make the model\u2019s eyes bigger by sliding the Eye Size Sliders. Note that the model\u2019s eye on the left appears bigger than the none on the right. To fix this, slide the left slider to 50 and the right slider to 85. Also change the Eye height of the right eye by sliding the Eye Height Slider to 35.<\/li>\r\n \t<li>Last, let\u2019s tilt the model\u2019s eyes. Click the chain link between the two Eye Tilt sliders, then slide them to 75.<\/li>\r\n \t<li>Toggle the Preview option off and on to see the results.<\/li>\r\n \t<li>Note that because we used this filter as a Smart Filter, we can go back and edit our work. We would not be able to do this if we did not convert to a Smart Filter.<\/li>\r\n<\/ol>\r\nYour final image should look like this:\r\n\r\n&nbsp;\r\n<h2>Conclusion<\/h2>\r\n<img src=\"http:\/\/pressbooks.library.ryerson.ca\/photoshopped\/wp-content\/uploads\/sites\/128\/2020\/07\/image7.png\" width=\"1024\" height=\"1050\" alt=\"Before and after of the model's face edited\" class=\"aligncenter\" \/>\r\n\r\nThis lab tutorial demonstrated several key tools and techniques we can use to retouch people and faces. Please note that there are many other things we can do, and this tutorial is by no means an exhaustive example of everything Photoshop can do.","rendered":"<h2>Overview<\/h2>\n<p>This lab tutorial will focus on Photoshop tools and techniques that can be used to retouch and alter people. While these tools and techniques can be used in some cases to work on non-human subjects, they tend to be particularly well-suited to working with the human form.<\/p>\n<h2>Objectives<\/h2>\n<ul>\n<li>To introduce layers, layer groups, layer styles, and layer masks<\/li>\n<li>To work with cloning tools (clone, Healing, Spot Healing)<\/li>\n<li>To introduce colour correcting and replacing colour<\/li>\n<li>To introduce the Warp feature<\/li>\n<li>To work with the facial recognition features for the Liquefy Filter<\/li>\n<li>To reinforce the principles of non-destructive editing<\/li>\n<\/ul>\n<h2>Procedure<\/h2>\n<h3>Retouching Eyes<\/h3>\n<p>Eyes are a very common thing to retouch when working on an image of a person\u2019s face.<\/p>\n<p>Let\u2019s start by making the whites of the eyes whiter:<\/p>\n<ol>\n<li>Open the tutorial file named GCM738_Tutorial_04_Lady.psd.<\/li>\n<li>Save the Image to the Working Photoshop Files folder with the name GCM738_Tutorial_04_Lady _Initials_v1.psd, where \u201cinitials\u201d are your initials (e.g. GCM738_Tutorial_04_Lady_JL_v1.psd).<\/li>\n<li>Double-click on the Background Layer. Rename it Original Image.<\/li>\n<li>Create a new layer above the Original Image layer and name it Whiten Eyes.<\/li>\n<li>Zoom to 300% and position the image so the eyes are prominent.<\/li>\n<li>Select the brush tool, and choose a brush that has 0% hardness and is a size that will be appropriate for the task.<\/li>\n<li>Make sure the foreground colour is white.<\/li>\n<li>Make sure you are on the Whiten Eyes layer, and begin painting the whites of the eyes \u2013 don\u2019t worry about being too \u201cclean\u201d as we will clean this up later.<\/li>\n<li>Reduce the opacity of the layer until it looks natural \u2014 approximately 30%.<\/li>\n<li>Use the eraser tool with a soft brush to clean up the edges of the eye whites.<\/li>\n<li>Zoom out to 100%, and review the results by toggling the layer visibility.<\/li>\n<\/ol>\n<p>Now let\u2019s change the colour of her eyes to blue:<\/p>\n<ol start=\"12\">\n<li>Create a new layer above the Whiten Eyes layer, and name it Blue Eyes.<\/li>\n<li>Zoom to 200%.<\/li>\n<li>Use the elliptical selection tool to draw a selection around the left iris. Save this selection as Left Eye.<\/li>\n<li>Use the elliptical selection tool to draw a selection around the right iris. Now Load selection, choose Left Eye as the channel, and choose the \u201cadd to selection\u201d option. Now both irises should be selected.<\/li>\n<li>Choose Select Modify Feather, and feather the selection 0.5 pixels.<\/li>\n<li>With the Blue Eyes layer selected, Choose Layer Layer Mask Reveal Selection. Note that the layer mask hides everything except the two iris selections.<\/li>\n<li>Make sure the image, not the layer mask is selected, then choose Edit Fill.<\/li>\n<li>Choose \u201cColor\u201d and pick a blue that is R 20, G 100, B 200 and click ok twice to get back to the image.<\/li>\n<li>Change the Blend Mode of the Blue Eyes layer to \u201cHue.\u201d<\/li>\n<li>Now select the layer mask and use the brush tool to clean up the mask.<\/li>\n<li>Zoom out to 100% and check your work by toggling the layer off and on.<\/li>\n<\/ol>\n<p>Finally, let\u2019s create a layer group to keep our work organized:<\/p>\n<ol start=\"23\">\n<li>Click on the layer group icon (<img decoding=\"async\" src=\"http:\/\/pressbooks.library.ryerson.ca\/photoshopped\/wp-content\/uploads\/sites\/128\/2020\/07\/image1-3.png\" width=\"20.7757480314961px\" height=\"17.7110761154856px\" alt=\"image\" \/>) on the layers palette.<\/li>\n<li>Call this group Eyes.<\/li>\n<li>Select both the Whiten Eyes layer and the Blue Eyes layer and drag them into the Eyes group.<\/li>\n<li>Your results so far should look like this:<\/li>\n<\/ol>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/pressbooks.library.ryerson.ca\/photoshopped\/wp-content\/uploads\/sites\/128\/2020\/07\/image2.png\" width=\"512\" height=\"2193\" alt=\"Photoshop screen capture demonstrating the layers order and the result of the eyes color changing.\" class=\"aligncenter\" \/><\/p>\n<p>&nbsp;<\/p>\n<h3>Smoothing Out Wrinkles<\/h3>\n<p>The next step in our tutorial will be to smooth out some of the wrinkles in our model.<\/p>\n<h4>Clone Tool<\/h4>\n<p>Let\u2019s start with the Clone Tool. The Clone Tool uses reference (source pixels) to replace target pixels. We will begin by removing the wrinkles under the mouth:<\/p>\n<ol>\n<li>Create a new layer, and name it Clone Tool.<\/li>\n<li>Select the Clone Tool, and make sure that Mode is set to normal, Opacity and Flow are at 100%, and that Sample is set to Current &amp; Below.<\/li>\n<li>Set the brush to be approximately 70 pixels, and with 0% hardness.<\/li>\n<li>.To fix the area to the left, pick source pixels just to the right of the blemish, then clone.<\/li>\n<li>To fix the area to the right, pick source pixels just to the left of the blemish, then clone.<\/li>\n<li>Now, let\u2019s use the clone tool to remove the lines going from the nose to mouth on both sides \u2013 Tip: reduce the brush size down to around 30 pixels when cloning the detail around the nose.<\/li>\n<\/ol>\n<h4>Healing Brush Tool<\/h4>\n<p>The Clone Tool is great when there are the appropriate pixels to clone. Note however that to correct the wrinkles in our model\u2019s neck, we don\u2019t have pixels dark enough to sample from. This is where the Healing Brush comes in! It works on the same principles of the clone tool, but also matches shading and texture. Let\u2019s use the Healing Brush to smooth out the model\u2019s neck:<\/p>\n<ol>\n<li>Create a new layer, and name it Healing Brush.<\/li>\n<li>Select the Healing Brush Tool, and make sure that Mode is set to normal, Source is set to Sampled, and Sample is set to Current &amp; Below.<\/li>\n<li>Use the Healing Brush to smooth out the wrinkles by sampling the skin in the bottom left side of the neck. Notice how it matches the tones!<\/li>\n<\/ol>\n<h4>Spot Healing Brush Tool<\/h4>\n<p>The Spot Healing Brush works under the same principle as the Healing Brush, only we do not need to choose source pixels. This brush is great for quick clean ups over small areas. Let\u2019s use the Spot Healing Brush to clean up some of the wrinkles on the face by the eyes and cheeks:<\/p>\n<ol>\n<li>Create a new layer, and name it Spot Healing Brush.<\/li>\n<li>Select the Spot Healing Brush Tool, and make sure that Mode is set to normal, Type is set to Content-Aware, and Sample All Layers is checked.<\/li>\n<li>Use the Spot Healing Brush to smooth out the wrinkles Under the eyes, the forehead and on the far sides of the cheeks.<\/li>\n<li>Do not retouch the eyelids yet.<\/li>\n<\/ol>\n<h4>The Patch Tool<\/h4>\n<p>The Patch Tool is great for replacing large areas of an image. We are going to use the Patch Tool to fix the scar on the right-side of the mouth, and to fix the wrinkles on the model\u2019s eye lids.<\/p>\n<p>Let\u2019s begin:<\/p>\n<ol>\n<li>The Patch Tool will not work on a blank layer, so duplicate the Original Image layer and name the duplicated layer Patch Tool.<\/li>\n<li>Select the Patch Tool, and make sure that Patch is set to normal, and that Source is selected.<\/li>\n<li>Select the area around the right side of the mouth, then drag to the left cheek to find the replacement patch.<\/li>\n<li>Repeat this process with the eyelids.<\/li>\n<li>The Finishing Touches.<\/li>\n<\/ol>\n<p>Let\u2019s put the finishing touches on our retouching:<\/p>\n<ol start=\"6\">\n<li>Create a Layer Group, and call in Wrinkles.<\/li>\n<li>Move all the retouching layers we just made into the group.<\/li>\n<li>Select the layer group Wrinkles, and give it a layer mask and choose the option of hide all.<\/li>\n<li>Fill the layer mask with 30% black. This allows some of the original image to show through, making the retouching a little more natural looking.<\/li>\n<\/ol>\n<p>Your results to this point should look like this:<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/pressbooks.library.ryerson.ca\/photoshopped\/wp-content\/uploads\/sites\/128\/2020\/07\/image3-1.png\" width=\"512\" height=\"2193\" alt=\"Photoshop screen capture demonstrating the layers order and fix of the scar in the right-side of the mouth\" class=\"aligncenter\" \/><\/p>\n<h3>Retouching Teeth and Mouth<\/h3>\n<p>We are going to replace the model\u2019s mouth with another person\u2019s mouth.<\/p>\n<p>Let\u2019s start by fixing her lipstick:<\/p>\n<ol>\n<li style=\"font-weight: 400\">Place the <strong>New Smile<\/strong> file into the file.<\/li>\n<li style=\"font-weight: 400\">Use <strong>Cmd\/Ctrl + T<\/strong> to resize the image. Resize it to about <strong>15%<\/strong> and place it over the existing mouth. Change the opacity to help you see where to place the new smile. Be sure to make the opacity 100% once you are happy with the placement.<\/li>\n<li style=\"font-weight: 400\"><strong>Rotate<\/strong> the smile <strong>Clockwise<\/strong> about 2 degrees.<\/li>\n<li style=\"font-weight: 400\">Click on the checkmark in the <strong>Options Bar.<\/strong><\/li>\n<li style=\"font-weight: 400\">With the New Smile layer selected, click on <strong>Layer \u2192 Layer Mask \u2192 Reveal All.\u00a0<\/strong><\/li>\n<li style=\"font-weight: 400\">Using a soft brush, paint away the outside of the mouth with black so it looks natural.<\/li>\n<li style=\"font-weight: 400\">Create an <strong>Adjustment Layer<\/strong> and select <strong>Hue\/Saturation<\/strong>. Name it <strong>Colour Match<\/strong>. Ensure that this is a <strong>clipping mask<\/strong> to the new smile.<\/li>\n<li style=\"font-weight: 400\">Change the <strong>Hue<\/strong> to +13 and the <strong>Saturation<\/strong> to -10. This will make the smile look more natural.<\/li>\n<li style=\"font-weight: 400\">Group the New Smile layer and the Adjustment Layer in a folder named <strong>Mouth<\/strong><\/li>\n<\/ol>\n<p><span style=\"text-align: initial;font-size: 1em\">Your image should now look like this:<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/pressbooks.library.ryerson.ca\/photoshopped\/wp-content\/uploads\/sites\/128\/2020\/07\/Screen-Shot-2021-07-12-at-6.07.39-PM-1024x979.png\" alt=\"Photoshop screen capture demonstrating the layers order and the replacement of the model small with somebody's else\" width=\"500\" height=\"478\" class=\"aligncenter wp-image-311\" srcset=\"https:\/\/pressbooks.library.torontomu.ca\/photoshopped\/wp-content\/uploads\/sites\/128\/2020\/07\/Screen-Shot-2021-07-12-at-6.07.39-PM-1024x979.png 1024w, https:\/\/pressbooks.library.torontomu.ca\/photoshopped\/wp-content\/uploads\/sites\/128\/2020\/07\/Screen-Shot-2021-07-12-at-6.07.39-PM-300x287.png 300w, https:\/\/pressbooks.library.torontomu.ca\/photoshopped\/wp-content\/uploads\/sites\/128\/2020\/07\/Screen-Shot-2021-07-12-at-6.07.39-PM-768x734.png 768w, https:\/\/pressbooks.library.torontomu.ca\/photoshopped\/wp-content\/uploads\/sites\/128\/2020\/07\/Screen-Shot-2021-07-12-at-6.07.39-PM-1536x1468.png 1536w, https:\/\/pressbooks.library.torontomu.ca\/photoshopped\/wp-content\/uploads\/sites\/128\/2020\/07\/Screen-Shot-2021-07-12-at-6.07.39-PM-65x62.png 65w, https:\/\/pressbooks.library.torontomu.ca\/photoshopped\/wp-content\/uploads\/sites\/128\/2020\/07\/Screen-Shot-2021-07-12-at-6.07.39-PM-225x215.png 225w, https:\/\/pressbooks.library.torontomu.ca\/photoshopped\/wp-content\/uploads\/sites\/128\/2020\/07\/Screen-Shot-2021-07-12-at-6.07.39-PM-350x334.png 350w, https:\/\/pressbooks.library.torontomu.ca\/photoshopped\/wp-content\/uploads\/sites\/128\/2020\/07\/Screen-Shot-2021-07-12-at-6.07.39-PM.png 1940w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/p>\n<h3>Changing the Hair Colour<\/h3>\n<p>Now we are going to give our model a different hair colour.<\/p>\n<p>Let\u2019s begin:<\/p>\n<ol>\n<li>Create a new layer above the Original Image layer, and name it Hair Colour.<\/li>\n<li>Set the layer blend mode to Colour.<\/li>\n<li>Change your foreground colour to be R 120, G 90, B 0.<\/li>\n<li>Use the paint brush to colourize the hair. Don\u2019t worry about \u201cstaying in the lines.\u201d<\/li>\n<li>Create a new layer mask for the Hair Colour layer, choosing Reveal All.<\/li>\n<li>Use the paint brush to mask out the colour where you do not want it. Tip: Change the opacity of the brush to 25% to \u201cfeather\u201d the colour near the hair line to make it look natural.<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<h3>Changing Facial Features Using the Liquify Filter<\/h3>\n<p>Photoshop has very powerful facial recognition features that, when combined with the Liquify Filter, can make complex facial changes a breeze.<\/p>\n<p>Let\u2019s begin:<\/p>\n<ol>\n<li>Select all groups and layers except for the Working Layers &#8211; Not Used group.<\/li>\n<li>Press Shift Command Option E to create a new merged layer from these layers without deleting the original layers. Name this merged layer Liquify.<\/li>\n<li>We are going to use the Liquify Filter as a Smart Filter so that we can maintain non-destructive editing. To do this, make sure the Liquify layer is selected, and then choose FilterConvert for Smart Filters.<\/li>\n<li>Now select FilterLiquify.<\/li>\n<li>On the tool bar on the left, make sure the icon of the person is selected.<\/li>\n<li>Make the model\u2019s face wider by sliding the Face Width Slider right to 10.<\/li>\n<li>Make the model\u2019s nose thinner by sliding the Nose Width Slider left to -15.<\/li>\n<li>Make the model\u2019s eyes bigger by sliding the Eye Size Sliders. Note that the model\u2019s eye on the left appears bigger than the none on the right. To fix this, slide the left slider to 50 and the right slider to 85. Also change the Eye height of the right eye by sliding the Eye Height Slider to 35.<\/li>\n<li>Last, let\u2019s tilt the model\u2019s eyes. Click the chain link between the two Eye Tilt sliders, then slide them to 75.<\/li>\n<li>Toggle the Preview option off and on to see the results.<\/li>\n<li>Note that because we used this filter as a Smart Filter, we can go back and edit our work. We would not be able to do this if we did not convert to a Smart Filter.<\/li>\n<\/ol>\n<p>Your final image should look like this:<\/p>\n<p>&nbsp;<\/p>\n<h2>Conclusion<\/h2>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/pressbooks.library.ryerson.ca\/photoshopped\/wp-content\/uploads\/sites\/128\/2020\/07\/image7.png\" width=\"1024\" height=\"1050\" alt=\"Before and after of the model's face edited\" class=\"aligncenter\" \/><\/p>\n<p>This lab tutorial demonstrated several key tools and techniques we can use to retouch people and faces. Please note that there are many other things we can do, and this tutorial is by no means an exhaustive example of everything Photoshop can do.<\/p>\n","protected":false},"author":6,"menu_order":5,"template":"","meta":{"pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"chapter-type":[],"contributor":[],"license":[],"class_list":["post-91","chapter","type-chapter","status-publish","hentry"],"part":3,"_links":{"self":[{"href":"https:\/\/pressbooks.library.torontomu.ca\/photoshopped\/wp-json\/pressbooks\/v2\/chapters\/91","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pressbooks.library.torontomu.ca\/photoshopped\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/pressbooks.library.torontomu.ca\/photoshopped\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/pressbooks.library.torontomu.ca\/photoshopped\/wp-json\/wp\/v2\/users\/6"}],"version-history":[{"count":12,"href":"https:\/\/pressbooks.library.torontomu.ca\/photoshopped\/wp-json\/pressbooks\/v2\/chapters\/91\/revisions"}],"predecessor-version":[{"id":330,"href":"https:\/\/pressbooks.library.torontomu.ca\/photoshopped\/wp-json\/pressbooks\/v2\/chapters\/91\/revisions\/330"}],"part":[{"href":"https:\/\/pressbooks.library.torontomu.ca\/photoshopped\/wp-json\/pressbooks\/v2\/parts\/3"}],"metadata":[{"href":"https:\/\/pressbooks.library.torontomu.ca\/photoshopped\/wp-json\/pressbooks\/v2\/chapters\/91\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/pressbooks.library.torontomu.ca\/photoshopped\/wp-json\/wp\/v2\/media?parent=91"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/pressbooks.library.torontomu.ca\/photoshopped\/wp-json\/pressbooks\/v2\/chapter-type?post=91"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/pressbooks.library.torontomu.ca\/photoshopped\/wp-json\/wp\/v2\/contributor?post=91"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/pressbooks.library.torontomu.ca\/photoshopped\/wp-json\/wp\/v2\/license?post=91"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}